The grandson of Richard Wagner, chief of the Bayreuth Festival from 1951-2008 and director of a dozen productions, died Sunday. He was 90. [Monsters and Critics]
Christof Loy’s dreamlike, pared-down production of Donizetti’s 1833 masterpiece Lucrezia Borgia, created for the Bayerischen Staatsoper, is brought to life on Medici DVD from performances in July 2009. The DVD of the performance is accompanied by another hour-long DVD, The Art of Bel Canto: Edita Gruberova, which includes some fascinating rehearsal and performance footage of…
A new CD set of Der Ring des Nibelungen, recorded live at the Bayreuth Festival in 2008, is slim on superstar casting, but basks in the reflected glory of conductor Christian Thielemann, a controversial artist with a passionate following. So how does the music measure up?
“Voglio essere giudicato per la musica e nient’altro che per la musica.” “I want to be judged for my music and nothing but my music.” This phrase, which Mascagni himself wrote to his publisher Sonzogno, is the key to understanding the very essence and existence of L’amico Fritz (1891). Cavalleria rusticana, Mascagni’s first performed opera,…
For those of us newly accustomed to watching The Met: Live in HD cinecasts and similar events in our neighborhood theaters, it is easy to forget that opera as cinema was once a very different experience. Ritter Blaubart, one in a series of seven films by Walter Felsenstein recently released on DVD, shows us the…
The Berlin Philharmonic brought a spooky Halloween treat to New York on Thursday night, just a few days late. They are at Carnegie Hall for a three-night residency, offering the complete Brahms symphonies along with selected earlier works by that ugly duckling of Brahms disciples, Arnold Schoenberg. They are also far from home during Berlin’s…
There are several reasons to purchase the new DVD of Die Meistersinger from Vienna (EuroArts EUA 2072488), but the main one is Christian Thielemann. This production will most likely come to be known as “Thielemann’s Meistersinger,” because his sense of the overall architecture of the work is, pardon the pun, masterful.
Among the “auditions” that have come flooding in from the cher public are reviews of three very different productions of Don Giovanni. Your doyenne has taken the liberty of combining the three critiques into a single posting, but she urges you to remember, remember well the names of the authors of this troika of treatises.
The joy on my face after opening the plain manila envelope that contained the ArtHaus Musik DVD of Walter Felsenstein‘s 1975-6 Die Hochzeit des Figaro is hard to describe. I wanted to love this DVD with all my heart, as I have with the three other Nozze DVDs I own. I did, and then some.…
Four of the cher public caught yesterday’s HD presentation of Tosca and have agreed to share their impressions with La Cieca and the rest: “The death of Puccini’s Tosca was much exaggerated, in fact it did not take place.” “After about 34 years of going to the opera, I don’t think I’ve ever left a…
La Cieca sat in on the “Cognitive Theater” discussion tonight at the New York Public Library, and the main impression she came away with is that Patrice Chéreau is a very quiet, soft-spoken man who happens to be a genius. (She was expecting something more fiery, but like many of the great divas, it seems…
Wieland Wagner directs James King and Leonie Rysanek in the legendary 1965 production of Die Walküre at Bayreuth. [kml_flashembed movie=”http://www.youtube.com/v/ILGJSK-i65I” width=”425″ height=”350″ wmode=”transparent” /] Note at around 0:40 Wieland gets Rysanek set up for her explosive gesture at 1:20. The long, tense stillness suddenly broken by a quick, strong movement is a trademark of this…
In what is becoming the New York City Opera’s only conduit of information to the public, a Friday afternoon news dump reveals that the company has laid off 11 members of its administrative staff. The layoffs are “because of financial pressures and a lack of work caused by the cancellation of most of its season.”…
La Cieca just can’t get enough of the old Love-Death. So this week’s edition of Unnatural Acts of Opera begins a classic performance of Wagner’s music drama from the 1976 Bayreuth Festival under the magical guidance of Carlos Kleiber. Tristan und Isolde (Act 1) UPDATE: Well, you can spank La Cieca’s butt and call her…
Introducting a new guest critic, Giulia Grisi, who blogs regularly for “Il Corriere della Grisi.” La Scala’s 2007-8 opera season opened last night (December 7) with a new production of Tristan und Isolde. The Milanese theatre hadn’t presented Wagner’s masterpiece since 1978, when Carlos Kleiber‘s masterful interpretation became an instant classic, in spite of a…
La Cieca’s Gal-pal del Golden West, Laura Hope Cruisey, sounds off on Santa Fe, 2007. Can we talk like this? Has Carl Rove turned off the reel-to-reel, before he turned out the lights? Well, since the New York Times seemingly did not cover the Santa Fe Opera Festival 2007, somebody’s got to say what happened…
Well, this is what La Cieca gathers from Katharina Wagner‘s production of Die Meistersinger (without, of course, having had the benefit of actually seeing it!) KW’s basic idea is that Great-grandfather Richard presented an overly optimistic view of the dramatic action of the opera. Walther is taught by Hans Sachs to moderate his radical musical…
Scenes from the 1967 production of Die Walkuere from the Bayreuth Festival, stage direction by Wieland Wagner. Brunnhilde: Anja Silja; Siegmund: Jess Thomas; Sieglinde: Helga Dernesch; Wotan: Theo Adam. Thomas Schippers is the conductor.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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