Turandot
Zubin Mehta conducts a classic broadcast from 1966 featuring Birgit Nilsson, Franco Corelli, Mirella Freni, and Bonaldo Giaiotti
Zubin Mehta conducts a classic broadcast from 1966 featuring Birgit Nilsson, Franco Corelli, Mirella Freni, and Bonaldo Giaiotti
An uneven new cast can’t dim the glow of Richard Eyre‘s incisive Le nozze di Figaro at the Met
Brian Jadge will be replaced by Brandon Jovanovich in the upcoming revival of The Queen of Spades, announces the Met press office
The Met Orchestra Chamber Ensemble’s Das Lied von der Erde skirts the sublime at Carnegie Hall
The Jupiter Ensemble with Lea Desandre and Anthony Roth Costanzo offers sleek and sexy HIP inaugurates the Frick Collection’s new Stephen A. Schwartzman Auditorium
Before stopping at Carnegie Hall this weekend, The English Concert returned to the Bay Area last week with a fiery performance of Giulio Cesare
Elza van den Heever and Peter Mattei (and the stage elevator) elevate an assertive, if not definitive, new Salome at the Met
Turmoil and injustice in the federal government; turmoil and grief in the Catholic Church: the time sure seems right for a staging of Francis Poulenc’s Dialogues des Carmélites.
Elina Garanca is back at the Met for the first time since 2020 — her Amneris is, in a word, sensational.
A fine Don Giovanni at Opera Philadelphia rounds out the company’s inaugural season under Anthony Roth Costanzo
John Yohalem wraps up Donizetti Month at parterre box with a look back at nearly six decades of Donizetti operagoing.
The long-awaited Broadway musical adaptation of the NBC series Smash is “not Bombshell – it’s just a bomb,” according to David Fox and Cameron Kelsall.
Matthew Travisano takes on Mimì’s Act III aria from La bohème — not that one, the other one — in the latest installment of the “Perspectives on an Aria” series
A feast of whimsy for the recently resurrected in Aaron Siegel’s new opera, Rainbird
Chris’s Cache highlights the erstwhile Chicago Symphony Orchestra @ Carnegie series with not one but two starry operas conducted by Georg Solti: Salome with Birgit Nilsson and a performance of Moses und Aron
Maybe this is an obvious choice, but this is the sort of performance that every opera queen dreams of attending: an unknown work being performed by a cast of largely unknown singers.
By the time the curtain rose on Verdi’s Luisa Miller last Sunday in Washington Concert Opera’s final show of the season, the originally announced line-up was about as accurate as a federal agency org chart from February.
A broadcast from 1975 celebrates 50 years since the Met debut of Beverly Sills
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.