Faust or famine
In a satanic panic, this week Chris’s Cache presents trio of performances of Mefistofele
In a satanic panic, this week Chris’s Cache presents trio of performances of Mefistofele
Eli Jacobson on a luscious evening of early Strauss with Guntram at Carnegie Hall
The final Saturday Matinee Broadcast of the 2024-25 season, live from New York
Yannick Nézet-Séguin leads the Philadelphia Orchestra, Stuart Skelton, and Nina Stemme in a Tristan und Isolde for the ages
The final live weeknight broadcast of the 2024-25 season from New York
An impressively well-rounded revival of Francesca Zambello‘s production of Porgy and Bess concludes the Washington National Opera season
The Met’s mostly successful revivals of The Queen of Spades and La bohème showcase the returns of Sonya Yoncheva and Corinne Winters
The Met doesn’t have the monopoly on Salome this spring — look no further than Catapult Opera’s San Giovanni Battista which opens in Brooklyn next month.
Rachel Willis-Sorensen is the winner of the 2025 Beverly Sills Award, per the Met press office
An innovative score and fluid production by Denyce Graves-Montgomery are highlights of Virginia Opera’s production of Loving v. Virginia
Cameron Kelsall reports on a transcendent Jenufa from the Cleveland Orchestra
The (R)evolution of Steve Jobs at the Kennedy Center: not a poorly made opera, but so relentlessly mid.
John Adams‘s newest opera in a live broadcast from New York
Ahead of her return to the Met, soprano Corinne Winters chats with Kevin Ng about her repertoire, overcoming biases about her voice type, and how she plans to play “energetic, young women” as long as she can.
With tight, jazzy orchestrations, a queer-coded Mephistopheles, and sassy modern recitative, Heartbeat Opera’s fast 100-minute Faust delivers Gounod in miniature, minus some of the schmaltz.
Buoyed by a cast of emerging stars, the Metropolitan Opera’s revival of Il Barbiere di Siviglia asserted a key trait of this ubiquitous buffo: it is a young person’s opera.
Ahead of tomorrow’s Live in HD, Michael Steinberg talks Leonore, Salome, and the “endemic misogyny” of Claus Guth‘s new production
An impressive cast blurs binaries as John Adams‘s ambitious Antony and Cleopatra arrives at the Met
Christopher Corwin on three stylish sopranos delighting audiences live in New York and on recording in a trio of new releases.
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