Nothing makes me feel better than Tosca
Suck it, Joseph Kerman: Puccini’s “Shabby Little Shocker” has outlived you and will probably bury us all.
67 pieces since 2006 — in 18 roles, at 3 companies, most often at Metropolitan Opera.
26 pieces as Metropolitan Opera — stats above show all coverage for Richard Tucker.
View allSuck it, Joseph Kerman: Puccini’s “Shabby Little Shocker” has outlived you and will probably bury us all.
Claudio Abbado made his Met debut on 7 October 1968 conducting Verdi’s Don Carlo, led five more performances through 14 November, and then never returned. Chris’s Cache offers the only complete recording I’ve run across from that run.
Prompted by Washington Concert Opera’s upcoming Luisa Miller, Chris Cache’s misbehaves five times by offering just the opera’s final act with sopranos from the 1970s, some of whom might be considered “under-appreciated”: Gabriella Tucci, Adriana Maliponte, Renata Scotto, Gilda Cruz-Romo, and Katia Ricciarelli.
Given the keen interest in recent posts of Met pirates of Montserrat Caballé in Verdi, Chris’s Cache concludes its trio with the Spanish soprano’s Met Violetta, along with additional Met in-house recordings of Virginia Zeani, Pilar Lorengar, Jeanette Pilou, and Joan Sutherland as Verdi’s doomed courtesan.
When asked to express some “thoughts” here about Verdi’s Il trovatore, my immediate thought was “hmm… not a lot to think about there.”
Yes, there were other Giocondas if not of quite the same distinction. Chronologically…
It’s time to discuss Zinka Milanov.
Amilcare Ponchielli’s La Gioconda might not be a perfect opera (though I don’t see why not) but it is one of my favorites…
I’ve argued with myself for many years as to which was my favorite opera by Giuseppe Verdi, La forza del destino or Don Carlos. The latter finally won out especially after studying it in depth, but in the long run, it is the music of Forza that I love the most.
This week Chris’s Cache features Maria Chiara, Elena Mauti-Nunziata, Rita Orlandi-Malaspina and Orianna Santunione in L’Amico Fritz, Mefistofele, Simon Boccanegra and La Fanciulla del West, respectively.
On this day in 1946 the Metropolitan Opera presented La Gioconda on tour in Chicago.
On this day in 1970 the Metropolitan Opera presented new productions of Cavalleria Rusticana and Pagliacci.
On this day in 1952 the Metropolitan Opera presented a new production of La bohème directed by Joseph L. Mankiewicz.
On this day in 1952, the Metropolitan Opera opened its season with a new production of La forza del destino.
Giacomo Puccini’s La fanciulla del West may have its detractors (Stravinsky referred to it as a “horse-opera’) but you will not find me among them.
Somewhere in all of this, I decided it was time to try Callas.
One of the more unfortunate losses from the Met’s closure is its revival of Simon Boccanegra, so Trove Thursday steps up with a 1975 Berlin performnace of Verdi’s dark masterpiece with Ingvar Wixell, Gundula Janowitz, José van Dam and Bruno Prevedi.
Let’s call this meeting to order. My name is Patrick and I’m a boxset-aholic.
With Christmas Eve 2016 falling on a Saturday, the Met offers contrasting orchestral splendors at noon and 6 p.m.
With help from the Met’s invaluable performance archive, here is a look back at just some of what you could have seen, and perhaps did see, on October 31st through the years at the Met.
When LaCieca asked me to choose my favorite live recording, I had to think… and think.
Our Own Jungfer Marianne Leitmetzerin celebrates tonight’s opening of the season at the Met with an opening night from the past: a 1967 performance of La traviata.
Well, “extreme” is such an, oh, how shall I put it… extreme word, my dears; really La Cieca is no more than the humble intermediary here between Mike Richter‘s CD-ROMs and you, the cher public. This time our treat from the trove is Eugene Onegin, a selection from his disc devoted to the Metropolitan Opera […]
Yes, the plot of Luisa Miller is a novella, and a pleasantly juicy one at that.
Sony Classical, in association with The Metropolitan Opera, has begun issuing on CD a number of historic Met broadcasts, newly remastered. The first I received for review was the December 10, 1955 broadcast of Verdi’s Un ballo in maschera, perhaps most notable for the Ulrica of Marian Anderson, who earlier that year made her debut […]
Long ago, in a galaxy far away – I mean, the era before supertitles became common in opera houses around the world – you could always tell the text-mad opera fan. He was the one who arrived early to the theater and spent the remaining minutes to curtain hunched over his libretto booklet, trying to […]
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