Greek National Opera’s Medea in the ancient theater at Epidaurus is an intermittently rewarding exercise in nostalgia.
Yes, there were other Giocondas if not of quite the same distinction. Chronologically…
On October 14, 1979 I spent my birthday attending my first all-star opera gala, thrilled at the chance to hear some of the great singers I’d only experienced on LPs, broadcasts or via my pirate reel-to-reel tapes.
Were Joan Sutherland and Marilyn Horne 20th century opera’s ultimate same-sex pairing?
For the fourth annual edition of “Handel for my birthday” Trove Thursday serves up three heaping portions of “old-fashioned oratorio.”
Joining the Met’s week of bel canto reruns and Tuesday’s premiere of Teatro Nuovo’s exciting new project, Trove Thursday presents Bellini’s I Capuleti ed I Montecchi with Tatiana Troyanos and Cecilia Gasdia.
“Trove Thursday” presents Purcell’s remarkably concise Dido and Aeneas in a pair of fascinatingly different interpretations.
Orfeo’s latest edition is a 1978 performance of Lucia di Lammermoor with a very estimable cast that on its surface may seem a tad mundane but the extensive liner notes (with performance photos) tell the story of why it held such magic.
In Andrea Chenier an unexpected Canadian star-tenor relishes beheading alongside a far less well-known Italian diva: Jon Vickers and Ilva Ligabue.
Lakmé, stars Ruth Welting, Alfredo Kraus, and Paul Plishka, conducted by Nicola Rescigno.
Let’s all listen to the American debut of Ghena Dimitrova in this 1981 performance of Ernani from Dallas.
La Cieca has heard the sad news that maestro Nicola Rescigno died earlier today in Viterbo, Italy. The Dallas Opera website now has an obituary for the conductor and co-founder of the company. [kml_flashembed movie=”http://www.youtube.com/v/4fsOVCnE_WY” width=”425″ height=”350″ wmode=”transparent” /]
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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