Juan Diego Florez

75 pieces since 2006 — in 23 roles, at 13 companies, most often at Metropolitan Opera.

75 pieces
23 roles
13 companies
21 years

Role Alfredo

Role Almaviva

LA thinks pink

Vocal glamour in abundance highlighted the opening performance of LA Opera’s Il barbiere di Siviglia on November 29 at the Dorothy Chandler Pavillion, with much buzz attendant on the company debuts of Rossini experts Juan Diego Flórez and Joyce DiDonato. Adding excitement was the Figaro of Nathan Gunn, who played with Errol Flynn panache, and […]

By 13 comments

Role Arturo

Critical addition

Very few things intrigue me as much as analyzing belcanto operas, comparing their several versions and examining the composers’ second thoughts, modifications and revisions that, willingly or unwillingly, they made to their scores. I was already salivating when I heard that the Teatro Comunale di Bologna was going to perform Vincenzo Bellini’s I Puritani in […]

By 84 comments

Role Comte Ory

Role Count Almaviva

Role Don Carlos

Role Don Ramiro

Role Elvino

Happy endings

Let me take you back, Parterreians, to the spring of 2009. Shortly before the Met’s new La sonnambula opened, murmurings began to be heard, rumors began to circulate. After the open dress rehearsal, reports were filed as opera fans looked on in horror. At the première, a shell-shocked audience rained down boos on the production […]

By 55 comments

i wake up screaming

[Our Own Gualtier Malde (along with a few thousand other people) attended the public dress rehearsal of the Met’s new production of La sonnambula this morning. Here is his report.] Innocence, rustic naiveté and virginity just don’t get no respect no more. I should know, I grew up way out in central New Jersey and […]

By 176 comments

Role Ernesto

About a boy

These days a cadre of voluble opera-goers regularly issues dire warnings that anyone about to attend this or that production at the Met should close her eyes and just listen rather than witness yet another Peter Gelb regie “atrocity.”

By Comment

Role Fadinard

Role Florville

Role Hoffmann

Role Idreno

Role le chevalier Danois

Role Le Comte Ory

Role Nemorino

Teenager in love

L’elisir d’amore, Donizetti’s evergreen comedy about young love, returned to the Met last night with a strong cast, a high energy level from all the performers, and last but not least, a very full house.

By 37 comments

Role Octavian

American Beauty Rosenkavalier

[La Cieca is delighted to introduce a new reviewer, @scazzasofija.] I found Rosenkavalier (Met, Oct. 13) to be mostly sublime. My quibbles come from a preference for Kleiber’s tempos. I found that de Waart was waving his arms as fast as he could for the beginning, but I think the prelude and up until the […]

By 60 comments

Role Orphée

Orphée descending

Juan Diego Flórez is without question a superstar of bel canto repertory, but the recent release of the recording of his role debut as Orphée in Gluck’s Orphée et Eurydice at the Teatro Real in Madrid raises some interesting questions. Among these questions, first and foremost is the nature of Orpheus, and whether Flórez has […]

By 31 comments

Role Orpheus

Role Otello

Role Riccardo

Unmasked

It is quite unusual to stage a new indoor production in the middle of summer in Italy when so many outdoor venues are open, but general manager of La Scala Stéphane Lissner – who will leave next year – decided to close the first half of this Verdi-Wagner year with a beloved hit of il cigno di Busseto.

By 2 comments

Role Tonio

‘fille’ a song coming on

[Our Own Gualtier Maldè reports from this afternoon’s dress rehearsal of La Fille du Régiment] The Met has another hit on its hands — though not a totally new one, this production and cast already having triumphed at Covent Garden and the Vienna Staatsoper. Laurent Pelly (who vies with Davide Alagna and Mark Streshinsky as […]

By 47 comments

Role Vilfredo d'Ivanhoe

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