Seville servants
A muted and merry carousel ride out of feudalism in the Met’s production of Le nozze di Figaro
21 pieces since 2013 — in 11 roles, at 6 companies, most often at Metropolitan Opera.
8 pieces as Metropolitan Opera — stats above show all coverage for Joshua Hopkins.
View allA muted and merry carousel ride out of feudalism in the Met’s production of Le nozze di Figaro
Do you ever wonder how easy it is to invent a Christmas tradition?
No, we don’t really need another “Orpheus” opera. Or, rather, we don’t need this one.
November in New York hosts two premieres dedicated to mythology’s greatest musician, which prompts Trove Thursday to present a vintage Monteverdi L’Orfeo with Judith Raskin and Gérard Souzay conducted by Leopold Stokowski (!) and a recent HIP London broadcast of Luigi Rossi’s L’Orfeo.
Trove Thursday previews Massenet’s Werther—due to return next month at the Met—with a 1984 Paris performance starring two marvelous protagonists, Tatiana Troyanos and Alain Vanzo.
If Sunday’s performance of Magic Flute at the Met demonstrated one thing, it is that opera targeted at children must be just as good as (if not better than) opera targeted at adults.
Plácido Domingo’s conducting reduced the score’s urgency to the lethargy of a jellyfish.
It’s easiest to write reviews when there are soaring triumphs and miserable failures.
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