Today is Mozart’s 266th birthday and I had already planned a Trove Thursday celebration when I learned that Maria Ewing had died on January 9.
Quarantining during COVID dramatically increased my compulsion to collect and compare interpretations.
Ombra Compagna, out today on Pentatone, spotlights Lisette Oropesa in 10 of Mozart’s most challenging concert arias accompanied by Il Pomo d’Oro conducted by Antonello Manacorda.
A pair of Hasse works: the all-male oratorio I Pellegrini al Sepolcro di Nostro Signore, plus the popular serenata Marc’Antonio e Cleopatra.
The Met recently submitted another eye-roll inducing entry for the Woke Olympics with their Women’s History Month slate.
A recent discussion here about Gianna Rolandi prompts Trove Thursday to present the American soprano in a rare trouser role in an even rarer opera, Cimarosa’s Gli Orazi e I Curiazi paired with Anna Caterina Antonacci.
While the Met reruns over-familiar HDs, Trove Thursday offers a Puccini rarity: Edgar, the composer’s second opera, starring Latonia Moore and Marcello Giordani.
Trove Thursday began on September 10, 2015, so today we celebrate the podcast’s fifth birthday with a diva-starry Aïda double-bill: Galina Vishnevskaya vies for her soldier-hero with Irina Arkhipova, then Jessye Norman wins the guy (but loses her life) in spite of Mignon Dunn.
Trove Thursday finally welcomes Wagner’s Lohengrin arriving in a concert performance conducted by Georg Solti with Siegfried Jerusalem, Julia Varady, Eva Randová, Hermann Becht, Hans Sotin and Wolfgang Schöne.
It’s Easter season, and that can mean only one thing for opera: It’s Cavalleria Rusticana time. And I, for one, couldn’t be more excited.
A near-full house attended the Jessye Norman Memorial Celebration at the Met on Sunday afternoon, the auditorium packed with family, friends, colleagues, and fans of the late soprano, who passed away on September 30 of this year.
A second Trove Thursday marking the recent passing of Jessye Norman focuses on the soprano’s catholic repertoire with three 20th century works: Stravinsky’s Oedipus Rex; Berg’s Altenberg Lieder; and Franck’s Les Béatitudes.
Trove Thursday presents Michael Fabiano in one of his specialties as the dashing hero of Il Corsaro torn between Tamara Wilson and Nicole Cabell.
They say you never forget your first.
When soprano Yihan Duan started to sing her aria, you could feel an almost electric charge that something special was happening.
When I first heard of this broadcast my thought was to save it to celebrate Jessye Norman‘s 75th birthday in 2020.
The Grammy winning opera and concert singer is dead. She was 74.
Erwartung and Bluebeard’s Castle returned to Lincoln Center Thursday night in a musically scintillating if theatrically mild double-bill by the New York Philharmonic.
“Trove Thursday” presents a complete Prodanà Nevesta (aka Die Verkaufte Braut, of course) by Smetana plus extended excerpts from a broadcast of Spontini’s La Vestale in its rarely heard original French version.
Michael Fabiano is a boss. This is a fact.
For more than 40 years, the magnificent opening image from Francis Poulenc’s Dialogues des Carmélites has served as an icon for the Met.
In addition to Jessye Norman, this event paid homage to the shamefully obscure soprano Sissieretta Jones—once billed as “The Black Patti.”
The career of our beloved Renée Fleming deserves to continue… by whatever means necessary.
Armide with a superbly grand Francophone heroine in Karina Gauvin and conducted by the always excellent Ivor Bolton.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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