A strong revival of Falstaff at the Los Angeles Opera proves a fitting farewell vehicle for Music Director James Conlon.
West Side Story opened LA Opera’s 40th anniversary season with fury and flair
A stylish and funny Così fan tutte at LA Opera is a pretty glam affair, according to Patrick Mack.
My vision may have been slightly blurry at the end.
You probably won’t leave Idomeneo ready to burst out in song, but what the opera lacks in melodic immediacy it makes up for in sheer virtuosity.
In the lead up to LA Opera’s mounting of Turandot on May 18th (hooray!) I thought I’d touch on some of my favorite recordings and new re-masters I’ve discovered. I have them all.
Rachel Willis-Sørensen might be the greatest American soprano right now who doesn’t sing much in America.
I have a confession and you may need to sit down for it: Andrew Lloyd Webber’s Evita was one of the gateway drugs to my eventual opera fandom.
Oh, La traviata, how do I love thee? Let me count the recordings.
On this day in 1977 Alban Berg‘s Lulu premiered at the Metropolitan Opera in the as-yet incomplete 2 act version.
One of the first things James Conlon did when he took over the reins as Music Director of LA Opera was create the “Recovered Voices” project, producing operas that had been suppressed by the Nazis.
I love it, truly, just not that much.
Out of sheer morbid curiosity last evening I pulled up the “orders” page of my Amazon account and searched Otello to discover that over the past 11 years. I’ve ordered 15 items with that title (one as recently as last night!)
This was by far my most satisfying experience with Pelléas et Mélisande for a multitude of reasons and I encourage anyone who’s even mildly curious to find their way to the Music Center for a very rich experience.
Frankly I thought Sondra Radvanovsky had reached her pinnacle with her Norma but I was apparently mistaken. I’m happy to say her Turandot is completely next-level.
Chris’s Cache sends Renata Scotto a valentine ahead of her 89th birthday next week with rare in-house recordings of eight (!) mid-career performances spanning 1971-1977.
For anyone who thought that Downton Abbey, with its plot lines divided between the gentry and their faithful (or not-so) servants was somehow unique, that particular tale, and lo its many variations, has been told in one form or another since Pierre-Augustin Caron de Beaumarchais put quill to paper in 1778 with La Folle Journée, ou Le Mariage de Figaro.
Beverly Sills and Renée Fleming perform 30 years apart the same work with the same orchestra in the same venue!
Happy 58th birthday to actress and singer Vanessa Williams.
Los Angeles Opera’s St. Matthew Passion was by equal parts challenging and hypnotic to watch.
Teresa Zylis-Gara died in late August at 91 and Trove Thursday offers the Polish soprano in a wide-ranging collection of live material showcasing her great versatility.
Remember that time you went to the opera and the whole evening was like magic? Saturday night at the Dorothy Chandler Pavilion probably ranks among my greatest nights in the theater and I’m finding the superlatives in my thesaurus inadequate to the task.
Let’s all cast our minds back to March of 2020. Or, better, let’s not.
When LA Opera finally decided to put a toe in the water and mount its first production since the start of the Covid-19 pandemic, it was Igor Stravinsky‘s opera/oratorio Oedipus Rex.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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