A stark, sweltering performance of Lady Macbeth of Mtsensk shocks the Komische Oper Berlin.
This July, Munich played host to hordes of football fans in town for the European Championship—and arguably the two finest working sopranos today.
The flashing eyes, the floating hair, and the inexplicable barefootnedness during the second half of Saturday night’s performance confirmed one thing: Kristine Opolais is back.
It’s nasty world, Shostakovich seems to say, where life alternates between boring and terrifying.
“How far should we give way to grief? How far dare we, without disaster?”
Donizetti’s bel canto masterpiece Lucia di Lammermoor returned to Chicago Lyric Opera on Saturday evening.
Unlike my friend Greg Freed, who entertainingly wrote of his ambivalence about seeing Il trovatore in a movie theater this season, I have embraced the Met Live in HD transmissions as a part of the modern operagoing experience.
Which operatic character could be best described as a spider?
My memory is fading but the events I recall most vividly of the last season seem largely to have been concert performances.
Throw in a trio of murders and a healthy splash of vodka and you have, more or less, the plot of Shostakovich’s Lady Macbeth of Mtsensk.
Somewhere around the early 80’s, stage directors realized that the odious theatre practice of “audience involvement” was over.
Cubes and Macbeth seem to have been a successful pairing in the recent Regietheater. Graham Vick’s production of Macbeth at the Teatro alla Scala in the 1997/98 season had become famous, or infamous, for centering its spirit and energies on a big cube dominating both sets and singers. David Pountney exploited the same idea of…
Joseph Volpe‘s memoir The Toughest Show on Earth (see, La Cieca can get the title right when she wants too) is a book about a working-class kid from Queens who wanted to be Rudolf Bing when he grew up. Or, rather, it’s about a stage carpenter who was bright enough and ambitious enough to do…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Sign up for our free Newsletter.
Support Parterre Box
Donate to keep opera's liveliest publication free and independent. No paywalls, no institutional backing, no bootlicking.
Get our free newsletter
Opera's top reads delivered to your email weekly…ish.
Join over 100k readers.
The best opera magazine on the web.
Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
Essentials
Copyright © 2026 Parterre Box.
All rights reserved.
Registration or use of this site constitutes acceptance of our Terms & Conditions and our Privacy Policy.
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.