I sort of have a love/hate fascination with countertenors/male falsettists.
As Messiah season begins, Christopher Corwin reports on two of Handel’s forays into the Old Testament.
Ross Wassermann tracks the development of “Che farò senza Euridice?” — and “J’ai perdu mon Eurydice” — for this month’s Perspectives on an Aria
On this day in 1987 the Met raised the curtain on Franco Zeffirelli‘s production of Turandot.
The English Concert’s annual Handel tour brings Solomon conducted by Harry Bicket to the US beginning Sunday March 5. In anticipation, Chris’s Cache offers Solomon plus four other oratorios by the master: Belshazzar, Hercules, Saul and Jephtha, all via broadcasts for which I feel a personal connection.
While it must be admitted that Elza van den Heever doesn’t have an ideally warm and agile Handel voice, she evidenced fierce control over her instrument and skillfully built a powerful portrait of the courageous Rodelida fighting for her survival.
Next Wednesday is the composer’s 337th birthday, so Trove Thursday previews this spring’s most enticing Handel performance with two very different live versions of his delightful Serse,.
American soprano Gianna Rolandi died Sunday morning, according to a number of her friends and colleagues. She was 68.
A brace of Handel operas at the George Enescu International Festival.
Once again we got a very frustrating performance of Orlando; this time a beautiful and completely coherent production marred by some sub-optimal singing.
A beautiful concert of 18th century sacred music arrived at Weill Recital Hall performed by the soulful Polish Wunderkind Jakub Jósef Orlinski.
The arrest of an important gay opera star and his husband on a serious criminal charge is undoubtedly news and almost certain to be interest to regular readers of parterre box.
Christophe Dumaux quickly slipped in and out of town this weekend to sing Handel and Vivaldi in a marvelous gala concert with the Sejong Soloists at Zankel Hall.
“It’s not easy being green”: especially if you’re the two greatest Italian opera composers.
“Trove Thursday” marks Monteverdi’s 450th birthday with a rare broadcast of his towering final work L’Incoronazione di Poppea.
Lyric Opera of Chicago opened its 2017-18 season on Saturday evening with a new production of Gluck’s Orphee et Eurydice in the 1774 Paris version.
Anticipation of events like the Metropolitan Opera’s 50th Anniversary bash turns me back into the newly opera-soused kid who begged his parents to let him watch the highlights of the Bing Gala on the family color television.
A simply gorgeous performance of Gluck’s Orphée et Euridice starring Juan Diego Flórez.
An extraordinarily rich variety of opera happens locally, under the umbrella of New York Opera Fest.
Washingtonians enjoyed a happy reunion this past Sunday with David Daniels.
William Christie’s Les Arts Florissants made a much-anticipated appearance at Lincoln Center’s White Light Festival Saturday performing Theodora.
Although she began her career nearly 25 years ago recording and performing lots of baroque music, I was surprised to see German soprano Dorothea Röschmann promoted as the star attraction of an all-Purcell concert Sunday at Carnegie Hall.
Who needs sets and costumes anyway?
Cocooned in an amiable production of Theo Morrison‘s revised Oscar, David Daniels flew to new heights in the congenial title role.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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