Christopher Maltman

17 pieces since 2011 — in 11 roles, at 6 companies, most often at Metropolitan Opera.

17 pieces
11 roles
6 companies
16 years

Role Beaumarchais

Role Don Alfonso

Role Ford

Radically giddy

Verdi’s Falstaff is a brilliantly written opera: funny, with a complex ability to operate across minutely shifting registers of farce and lyricism. It needs, ideally, a production and cast capable of executing both comedy and drama, irony and sincerity—often concurrently. In its current Met revival, happily, Falstaff has everything it needs.

By 47 comments

Role Jupiter

Role Lescaut

Role Mark

Role Mark Rutland

Role Olivier

Role Papageno

Role Papageno; Don Giovanni

Role Wotan

Sign up for Parterre’s free newsletter.

Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.