Gone girl
Anna Netrebko‘s Manon was deeply unforgettable for its wide scope, control, and incredible virtuosity.
17 pieces since 2011 — in 11 roles, at 6 companies, most often at Metropolitan Opera.
2 pieces as Lescaut — stats above show all coverage for Christopher Maltman.
View allAnna Netrebko‘s Manon was deeply unforgettable for its wide scope, control, and incredible virtuosity.
Is Manon Lescaut a cold, clinical tale of the splendors and pitfalls of transactional sex, or is it a romantic Italian opera at its most lush and melodic?
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