Drunk history
Last night was my fourth or fifth wade into the slough of Bartlett Sher’s production of Offenbach’s Les Contes d’Hoffmann at the Met since its premiere in 2009.
15 pieces since 2014 — in 8 roles, at 2 companies, most often at Metropolitan Opera.
Last night was my fourth or fifth wade into the slough of Bartlett Sher’s production of Offenbach’s Les Contes d’Hoffmann at the Met since its premiere in 2009.
Is there any opera more bullet-proof than Le Nozze di Figaro?
Second casts in Don Giovanni and Turandot at the Metropolitan Opera offer mixed blessings.
Two months after my last visit to this season’s sixteen-performance run of Puccini’s Turandot, I returned eager to witness the latest chapter in the sporadic Met career of Nina Stemme. Rising stars Anita Hartig and Alexander Tsymbalyuk also appeared in their roles for the first time at the Met, so Monday evening turned into a […]
On Thursday evening Jennifer Wilson “finally” made a belated, disappointing Met debut as Turandot.
“Tame” seemed to be the appropriate adjective to describe San Francisco Opera’s Carmen.
What is there to say about the Franco Zeffirelli Bohème? What is left to say?
La bohéme returned to the stage of the Metropolitan Opera once again last night (does it ever leave?)
I was extraordinarily happy Monday evening to encounter Angel Blue and Russell Thomas as Mimi and Rodolfo.
La bohème is such a popular romantic opera that hardly anyone ever notices that Mimì and Rodolfo undergo what in modern terms would be called speed dating.
It took the better part of a decade—including two high-profile cancelations—or New York to finally hear Anna Netrebko in recital.
Michael Mayer‘s production of La traviata at the Met is so timid, so devoid of insight, so cynically pandering and gaudy that I hardly feel like it even matters what I think of the performances of the current cast.
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