The damned don’t cry
Michael Mayer‘s production of La traviata at the Met is so timid, so devoid of insight, so cynically pandering and gaudy that I hardly feel like it even matters what I think of the performances of the current cast.
15 pieces since 2014 — in 8 roles, at 2 companies, most often at Metropolitan Opera.
1 piece as Violetta — stats above show all coverage for Anita Hartig.
View allMichael Mayer‘s production of La traviata at the Met is so timid, so devoid of insight, so cynically pandering and gaudy that I hardly feel like it even matters what I think of the performances of the current cast.
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