Sweet home Ithaca
Monteverdi’s late Homeric masterpiece Il Ritorno d’Ulisse in Patria isn’t often performed in the United States.
Adrian Noble
8 pieces since 2007 — at 2 companies, most often at Metropolitan Opera.
8
pieces
2
companies
20
years
By company
I will remember you
Only time can tell if some performances enter the collective opera memory, if such a thing even exists, as “historical”
The other woman
I can’t think of an opera this year that I’ve enjoyed as much as Tuesday’s Met Macbeth, thanks especially to the smashing house debut of Italian soprano Anna Pirozzi as its blazing Madame M.
Portrait of a Lady on fire
My blood sure boiled at this revival of the Met’s utterly punchable production of Macbeth.
“Confusion now hath made his masterpiece”
I have found myself truly bewildered by some of the online reviews of the Glimmerglass production of Verdi’s Macbeth.
Hysterical blondeness
Wednesday brought the Met’s “real” season opener, an indelible, indispensable night at the opera: a starry revival of Verdi’s Macbeth crowned by Anna Netrebko’s demented Lady.
And no bones!
Apparently, opera fans got the bright side of the bargain: say “Macbeth” in the theater and you court cataclysm; utter the name in the opera house and, as often as not, you merely predict disappointment.
Does a big voice need defending?
Our Own Little Stevie reflects on the Met’s new Macbeth. I’d like to admit a guilty pleasure of mine: I’ve secretly been waiting with a lot of anticipation for Maria Guleghina to sing in Macbeth and Norma this year. I have not told this to many people because it seems that the common expectation has […]
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).