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A live opening night broadcast from Bologna with Erika Grimaldi, Claudio Sgura, and Luciano Ganci conducted by Oksana Lyniv
Anyone arriving at Lyric Opera of Chicago’s production of Rossini’s Cinderella (La Cenerentola) expecting the Disney-fied version of the story will be in for a surprise.
On this day in 1955 conductor Rudolf Kempe made his Metropolitan Opera debut conducting Tannhaüser
Chris’s Cache previews Lise Davidsen‘s concert with six sopranos singing the five Wesendonck Lieder , plus a tenor interloper (Jonas Kaufmann, of course), and a mezzo (Hanna Schwarz )
Born on this day in 1963 tenor Marcello Giordani
Xian Zhang conducts Aleksandra Kurzak, Eve Gigliotti, Matthew Polenzani, and Davide Luciano live from New York
It says something about Boston’s opera scene that one of the most consistently ambitious events of the opera season is a one-off performance played by the Boston Youth Symphony Orchestras.
On this day in 1958 soprano Inge Borkh made her Metropolitan Opera debut as Salome (paired, of all things, with Gianni Schicchi)
Grand Tier Grab Bag
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Light streamed through the stained-glass windows of the Space at Irondale, once a church, during the Saturday matinée of Heather Christian’s Terce as part of the Prototype Festival.
On this day in 1964 the American premiere of Gian Carlo Menotti’s The Last Savage took place at the Metropolitan Opera.
Two months ago, when climate activists interrupted a performance of Tannhaüser at the Met, the banners they unfurled from the balconies announced, “no opera on a dead planet.”
Born on this day in 1897 soprano Rosa Ponselle
Happy 83rd birthday tenor/baritone/conductor Plácido Domingo
Yannick Nézet-Seguin conducts Ryan McKinny, Joyce DiDonato, Latonia Moore, and Susan Graham in a broadcast from October 21, 2023
On this day in 1967 Colin Davis made his Metropolitan Opera debut conducting Peter Grimes
The celebrated and unique Polish contralto was 71.
Talk of the Town
A favorite art song performance from Andrew Lokay
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
A favorite art song performance from Jamie Barton
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
A favorite art song performance from Leyla Gender-Bender
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
A favorite art song performance from Erika Baikoff
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
A favorite art song performance from Last Castrato
Rosa Ponselle is the singer who had it all.
Rosa Ponselle is the singer who had it all.
A favorite art song performance from Armerjacquino
“Du bist die ruh” was one of the first art songs I ever knew.
“Du bist die ruh” was one of the first art songs I ever knew.
Julia Bullock seems to fission herself multiple times over during the course of her newest, widely ranging recital program.
Fabio Luisi conducts a live broadcast from Genoa featuring Lianna Haroutounian, Fabio Sartori,Vladimir Stoyanov, and Manuela Custer
On this day in 1984 bass Samuel Ramey, conductor Mario Bernardi and director Frank Corsaro made their Metropolitan Opera debuts in Handel’s Rinaldo
The beginning of Mary Kouyoumdjian’s Adoration is marked by silence. The young Simon, played by Sammy Ivany, lies on his stomach, scribbling in a notebook.
On this day in 1907 the Metropolitan Opera premiered Puccini’s Manon Lescaut with the composer in attendance
A convocation of mezzos–and a pride of tenors–produce hundreds of sixteenth notes in a bewitching Rossini showpiece
On this day in 1960 tenor Jon Vickers made his Metropolitan Opera debut as Canio