Recent Stories
Grand Tier Grab Bag highlights La Scala’s opening night prima donna Sara Jakubiak with an excerpt of her Chrysothemis recorded last year.
Offenbach‘s Robinson Crusoé is salvaged from obscurity.
Auntie Joan goes the whole nine yards on this one and invigorates it to make it work in a way as no one else can.
It is a physical pleasure to hear Kate Lindsey at close quarters.
“This isn’t an opera that touches on queer themes; it’s a bundle of queer themes tied up in an opera.”
Like Type 2 Diabetes, symptoms of YAS (Yuletide Aversion Syndrome) commonly creep up on gay men after manopause.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Grand Tier Grab Bag
Grand Tier Grab Bag
León in winter
León in winter
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Grand Tier Grab Bag
Assai più vale il soglio
che un genitor perduto
Assai più vale il soglio
che un genitor perduto
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Grand Tier Grab Bag
Women’s liberation
Women’s liberation
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
Grand Tier Grab Bag
Ash and you shall receive
Ash and you shall receive
Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini’s La cenerentola.
Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini’s La cenerentola.
Grand Tier Grab Bag
When her ship comes in
When her ship comes in
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
Grand Tier Grab Bag
Erste Brautnacht
Erste Brautnacht
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
A consideration of Anika Kildegaard’s extraordinary recital in Philadelphia—and the oddity of recitals themselves.
This month’s theme – “Opera singers celebrate the holidays” – conjured up a vast lexicon of memories of growing up in the 1960s and early 1970s.
Though perhaps showing its age, a storied production of La bohème nonetheless makes a welcome return to the Los Angeles Opera
“It duz… not… SCHVING!!!!”
One of my favorite Christmas recordings is Kathleen Battle‘s A Christmas Celebration.
New York audiences got a taste of Ben Bliss in Mozart this fall, but this week Grand Tier Grab Bag offers snippets of the tenor trying his hand at Handel earlier this year.
Talk of the Town
The Talk of the Town
The 1946 La traviata is so overrated
The 1946 La traviata is so overrated
For all his undeniable precision and discipline, I still find Toscanini’s tempi rushed and unyielding and his lack of rubato a chilly turnoff.
For all his undeniable precision and discipline, I still find Toscanini’s tempi rushed and unyielding and his lack of rubato a chilly turnoff.
The Talk of the Town
The 1957 Anna Bolena is so overrated
The 1957 Anna Bolena is so overrated
While the three leads do sing the material well, there has been a glut of recordings since then which are more complete and at least as well sung.
While the three leads do sing the material well, there has been a glut of recordings since then which are more complete and at least as well sung.
The Talk of the Town
The Solti Ring Cycle is so overrated
The Solti Ring Cycle is so overrated
It was many decades ago that I first listened to the Solti Ring Cycle.
It was many decades ago that I first listened to the Solti Ring Cycle.
The Talk of the Town
The 1959 Aïda is so overrated
The 1959 Aïda is so overrated
Karajan’s 1959 Aïda was once treated like gospel, a wall of plush Vienna Philharmonic sound and star power that critics dutifully genuflected before.
Karajan’s 1959 Aïda was once treated like gospel, a wall of plush Vienna Philharmonic sound and star power that critics dutifully genuflected before.
The Talk of the Town
The 1973 La bohème is so overrated
The 1973 La bohème is so overrated
The Solti recording of Bohème is completely miscast.
The Solti recording of Bohème is completely miscast.
The Talk of the Town
The 2023 Turandot is so overrated
The 2023 Turandot is so overrated
The recent highly hyped studio recording of Puccini’s Turandot left me greatly disappointed.
The recent highly hyped studio recording of Puccini’s Turandot left me greatly disappointed.
Gabriela Beňačková is featured in a wonderful Christmas album called Carolling, released by Supraphon in the early 1990s.
Tamara Wilson and Stanislas de Barbeyrac are the standouts in Calixto Bieito’s underwhelming Die Walküre in Paris
“O Divine Redeemer” is, I suppose, more properly an Advent or Lenten piece. But when Renata Tebaldi asks us to hear her “croy”, who can resist?
MasterVoices presents a strongly-cast Sweet Smell of Success—but the merits of this noir musical are hardly black or white.
Composer Philip Venables talks about queer utopias and bending gender and genre in The Faggots and Their Friends Between Revolutions which opens at the Park Avenue Armory this week.
Anna Moffo, in glorious voice and looking gorgeous as usual, sings “O Holy Night,” one of my favorite Christmas tunes.