Recent Stories
Death is the prima donna in this opera, and Herheim doesn’t let you forget it.
A new production of Parsifal at San Francisco Opera stirred something deep inside Michael Anthonio about how music soothes the soul
For me, one of the greatest recordings is the Von Karajan Il trovatore. You have four incredible singers in their top form.
Shirin Neshat‘s Aïda in Paris is a typical instance of what happens when an artist is brought in to direct an opera.
In Jacopo Peri’s seminal Euridice, the Newberry Consort and Haymarket Opera made a compelling case for putting you in the room where it happened.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Grand Tier Grab Bag
Grand Tier Grab Bag
Tabled for now
Tabled for now
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
Grand Tier Grab Bag
My heart belongs to daddy
My heart belongs to daddy
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
Grand Tier Grab Bag
Mediterranean crossings
Mediterranean crossings
Grand Tier Grab Bag anticipates Elina Garanca‘s upcoming Zwischenfach pivot by sharing her in some other not-quite-mezzo repertoire opposite Brian Jagde.
Grand Tier Grab Bag anticipates Elina Garanca‘s upcoming Zwischenfach pivot by sharing her in some other not-quite-mezzo repertoire opposite Brian Jagde.
Grand Tier Grab Bag
Ritorna un’altra volta
Ritorna un’altra volta
Parterre Box anticipates Ailyn Peréz‘s upcoming New York performances of Madama Butterfly with the Puccini role most closely associated with her
Parterre Box anticipates Ailyn Peréz‘s upcoming New York performances of Madama Butterfly with the Puccini role most closely associated with her
Grand Tier Grab Bag
My sister’s keeper
My sister’s keeper
Grand Tier Grab Bag highlights La Scala’s opening night prima donna Sara Jakubiak with an excerpt of her Chrysothemis recorded last year.
Grand Tier Grab Bag highlights La Scala’s opening night prima donna Sara Jakubiak with an excerpt of her Chrysothemis recorded last year.
Grand Tier Grab Bag
Lightning strikes twice
Lightning strikes twice
New York audiences got a taste of Ben Bliss in Mozart this fall, but this week Grand Tier Grab Bag offers snippets of the tenor trying his hand at Handel earlier this year.
New York audiences got a taste of Ben Bliss in Mozart this fall, but this week Grand Tier Grab Bag offers snippets of the tenor trying his hand at Handel earlier this year.
I take such comfort in the assumption that someone or something will save us from injustice and the lust for power.
Grand Tier Grab Bag offers a face off of two Polish divas from Aleksandra Kurzak‘s debut performances as Aïda in Verona this summer.
It’s such a joyous score, full of Italian warmth and humanity. Verdi’s late-stage, evergreen score is a constant source of joy.
A new recording of Boito‘s Nerone from Cagliari shows off an epic opera with fire and flamboyance
I have been utterly fascinated by the wildly intriguing choices of “comfort operas” these past few days. For me, Così fan tutte is my absolute first choice.
Dmitry Matvienko led a performance of Mussorgsky and Shostakovich at La Monnaie with meticulous rectitude.
Talk of the Town
The Talk of the Town
The best things I saw in 2025 were vocal recitals
The best things I saw in 2025 were vocal recitals
I’m going with four outstanding, deeply personal NYC recitals
I’m going with four outstanding, deeply personal NYC recitals
The Talk of the Town
The best thing I saw in 2025 was In a Grove
The best thing I saw in 2025 was In a Grove
I had the pleasure of going with some members of the Pittsburgh Opera to the PROTOTYPE Festival in New York at the start of the year- almost unfortunate it was so early on in 2025 because it set my expectations for the year so high!
I had the pleasure of going with some members of the Pittsburgh Opera to the PROTOTYPE Festival in New York at the start of the year- almost unfortunate it was so early on in 2025 because it set my expectations for the year so high!
The Talk of the Town
The best thing I saw in 2025 was Festen
The best thing I saw in 2025 was Festen
It’s a dazzling, shocking, and entertaining 100 minutes – one of the best new operas I’ve seen.
It’s a dazzling, shocking, and entertaining 100 minutes – one of the best new operas I’ve seen.
The Talk of the Town
The best thing I saw in 2025 was Sunset Boulevard
The best thing I saw in 2025 was Sunset Boulevard
I still don’t think Sunset Boulevard is a top-tier musical but it was by far the most memorable vocal performance I saw in 2025.
I still don’t think Sunset Boulevard is a top-tier musical but it was by far the most memorable vocal performance I saw in 2025.
The Talk of the Town
The best thing I saw in 2025 was Elina Garanča in Aïda
The best thing I saw in 2025 was Elina Garanča in Aïda
Elina Garanča scaled the vocal and dramatic summits of the Judgement Duet and Scene in the May series of Aïda.
Elina Garanča scaled the vocal and dramatic summits of the Judgement Duet and Scene in the May series of Aïda.
The Talk of the Town
The best thing I saw in 2025 was Der Freischütz
The best thing I saw in 2025 was Der Freischütz
A staged Freischütz is rare enough in itself to be the highlight of any opera season, but it was in Christoph Marthaler‘s Antwerp production that I connected with the characters and felt the story for the first time.
A staged Freischütz is rare enough in itself to be the highlight of any opera season, but it was in Christoph Marthaler‘s Antwerp production that I connected with the characters and felt the story for the first time.
This is not exactly a comfort “opera” as it is from Handel’s late oratorio Theodora which is sometimes staged as an opera.
Die ägyptische Helena isn’t even an opera I love so much as a whole.
I was first exposed to Hänsel und Gretel as a child, likely via The Metropolitan Opera’s 1982 PBS telecast.
What Opera Lafayette’s Dido and Aeneas lost in gravitas it gained in charm and specificity.
Brendan Latimer sits down with Francesca Zambello and members of the cast of Washington National Opera’s production of Aïda to discuss the complicated legacy of one of Verdi’s most beloved works and the tricky business of “inventing the truth.”