Recent Stories
I wasn’t alive during the golden age of Verdi baritones like MacNeil, Warren, or Gobbi, but hearing Amartuvshin Enkhbat live in an opera house must be the next best thing.
A high-drama Vanessa by the Boston Symphony Orchestra offers something to believe in.
Sir Simon Rattle and the Bavarian Radio Symphony Orchestra strike (almost) all the right notes in their new recording of Mozart’s Idomeneo.
Dan Johnson on the unique voice of Hildegard composer Sarah Kirkland Snider — and why some music could only ever be written by a woman.
I’m going with four outstanding, deeply personal NYC recitals
I had the pleasure of going with some members of the Pittsburgh Opera to the PROTOTYPE Festival in New York at the start of the year- almost unfortunate it was so early on in 2025 because it set my expectations for the year so high!
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
Otherwise occupied
Otherwise occupied
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Grand Tier Grab Bag
Northern star
Northern star
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Grand Tier Grab Bag
Tra voi belle
Tra voi belle
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
Grand Tier Grab Bag
León in winter
León in winter
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Grand Tier Grab Bag
Assai più vale il soglio
che un genitor perduto
Assai più vale il soglio
che un genitor perduto
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Grand Tier Grab Bag
Women’s liberation
Women’s liberation
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
It’s a dazzling, shocking, and entertaining 100 minutes – one of the best new operas I’ve seen.
Washington National Opera is leaving the Kennedy Center, according to The New York Times
Tobias Kratzer digs beneath the surface of Strauss‘s Intermezzo in an excellent new DVD from Deutsche Oper Berlin.
I still don’t think Sunset Boulevard is a top-tier musical but it was by far the most memorable vocal performance I saw in 2025.
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
A messy new I puritani at the Met is a historic and historical disappointment.
Talk of the Town
The Talk of the Town
A favorite bass performance from Krunoslav
A favorite bass performance from Krunoslav
Boris Christoff’s Procida (along with Cerquetti’s Elena) lifts Mario Rossi’s RAI Torino Vespri to distinction.
Boris Christoff’s Procida (along with Cerquetti’s Elena) lifts Mario Rossi’s RAI Torino Vespri to distinction.
The Talk of the Town
A favorite bass performance from Michael Landman-Karny
A favorite bass performance from Michael Landman-Karny
If I must choose a single bass performance, it is still Boris Christoff’s Boris Godunov.
If I must choose a single bass performance, it is still Boris Christoff’s Boris Godunov.
The Talk of the Town
A favorite bass performance from Kevin Ng
A favorite bass performance from Kevin Ng
Boris Christoff‘s sound is justly famous, and his vocal splendor is on full display here.
Boris Christoff‘s sound is justly famous, and his vocal splendor is on full display here.
The Talk of the Town
A favorite bass performance from Carmen Paddock
A favorite bass performance from Carmen Paddock
Christopher Purves in Saul – the clarity, the range, the expression, the drama!
Christopher Purves in Saul – the clarity, the range, the expression, the drama!
The Talk of the Town
A favorite bass performance from Bel Raggio
A favorite bass performance from Bel Raggio
No one in my experience both live and on records could swagger, spin out roulades, and ripple through Rossini and Handel like Samuel Ramey.
No one in my experience both live and on records could swagger, spin out roulades, and ripple through Rossini and Handel like Samuel Ramey.
The Talk of the Town
A favorite bass performance from Mr. Fabulous
A favorite bass performance from Mr. Fabulous
Before hearing Samuel Ramey as Zaccaria in Nabucco, I had always been more interested in higher voices.
Before hearing Samuel Ramey as Zaccaria in Nabucco, I had always been more interested in higher voices.
Elina Garanča scaled the vocal and dramatic summits of the Judgement Duet and Scene in the May series of Aïda.
“Call me traditional, but I want to see a silver platter!”
A staged Freischütz is rare enough in itself to be the highlight of any opera season, but it was in Christoph Marthaler‘s Antwerp production that I connected with the characters and felt the story for the first time.
Houston Grand Opera’s 2025 Breaking the Waves was absolutely my highlight of the year!
Dan Johnson gives an inside look at the creation of Sarah Kirkland Snider‘s rapturous new opera Hildegard which opens at New York’s PROTOTYPE Festival next week.
Fine music-making meets a clunker of a production in La Monnaie‘s revival of Norma