More people should listen to Dorothy Kirsten
Reading Dorothy Kirsten‘s autobiography twice last year made me revisit her work anew.
Reading Dorothy Kirsten‘s autobiography twice last year made me revisit her work anew.
Back to Rameau again this week with Samson at the Opéra Comique, my third Rameau production in as little as three months, after Les Fêtes d’Hébé in the same house, and Castor et Pollux at the Palais Garnier.
I discovered this magical soprano when I was a teenager, and came across a mixed program RCA Victor LP recital.
This week, Chris’s Cache highlights Bernarda Fink and Inga Kalna in an opera by Johann Gottlieb Naumann
Maria Caniglia sings with unabashed commitment and honesty. She sings as if the music was born with her.
All disciples of the box are reminded one final time to furnish operatic discussion material for the next quarter of The Talk of the Town
Some people were introduced to the art form listening to the Met’s NBC broadcasts on a glowing tube radio or watching acid-trip animated adaptations on the BBC or seeing Elmer Fudd sing, “Kill the Wabbit.” I came to opera through simulated drive-by shootings soundtracked by The Marriage of Figaro.
A live broadcast of Tchaikovsky‘s opera from Vienna starring Sonya Yoncheva
Aga Mikolaj (born Agnieszka Beata Mikolajczyk) sang Strauss and Mozart with a gorgeous, shimmering tone.
Not exactly obscure, but she has such elegance and poise
Mark-Anthony Turnage‘s acclaimed new opera based on Thomas Vinterberg‘s film in a recent performance from Covent Garden.
Hilda Harris and Catherine Malfitano in an 1981 broadcast to celebrate the 100th anniversary of Ravel‘s opera
Karolina Bengtsson is just at the beginning – we are going to hear from her, I am quite sure…
Karina Canellakis conducts Janácek‘s final opera live from Amsterdam.
A grand concert from Angel Blue has Patrick Mack wondering, “where’s her crossover album?”
Recent rapturous musings about Huw Montague Rendall and curiosity about Aigul Akhmetshina‘s return to the Met as Rosina in May have prompted the box to share a recent sample of the pair in “Dunque io son.”
Never saw her in anything, only on You Tube videos and in a few recordings.
This week, Chris’s Cache offers a performance of Follies from 2007 featuring Lucine Amara as a rarely richly sung Heidi alongside Donna Murphy and Victoria Clark.
For me, Renée Doria epitomizes the best of French style – pointed diction, a slightly lemon-y timbre that cuts through any cloying sentimentality…..love her!
William Kentridge‘s eclectic The Great Yes, The Great No arrives at Cal Performances.
Huw Montague Rendall’s new release Contemplation has been spinning in both my car and home players repeatedly for months now.
… as Minnie in La fanciulla del west
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