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One day after the announcement that General Director Michael Capasso is retiring, New York City Opera announces the “installation” of Music Director and Principal Conductor Constantine Orbelian as Executive Director.
Douglas Boyd conducts the Garsington Opera company in a live Proms performance featuring Iestyn Davies, Lucy Crowe, Richard Burkhard, Caspar Singh, James Newby, Stephanie Wake-Edwards, Camilla Harris, Nicholas Crawley, and Christine Rice
But pressing questions remains: Why? Who is this Figaro for?
On this day in 1838 Berlioz‘s Benvenuto Cellini premiered in Paris
Michael Capasso, General Director of the enfeebled remains of New York City Opera, announces his retirement
Born on this day in 1828 writer Lev Nikolayevich “Leo” Tolstoy
Born on this day in 1841 composer Antonín Dvorak
Brandon Jovanovich, Asmik Grigorian, Roman Burdenko, Boris Pinkhasovich, Violeta Urmana, and Victoria Karkacheva in a performance lead by Aziz Shokhakimov recorded earlier this year in Munich
Grand Tier Grab Bag
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Happy 59th birthday soprano Angela Gheorghiu
Unlike more surface-level historically informed practice which has become the norm in early music ensembles, this project stands out in its surprisingly deep engagements with the ethical and practical challenges posed by “recreating” Wagner’s sound.
On this day in 1791 Mozart‘s La clemenza di Tito premiered in Prague
Following Gundula Janowitz and Janet Baker, Chris’s Cache sends birthday greetings to another favorite diva—Karita Matilla—with a quartet of broadcasts.
Happy 64th birthday soprano Karita Mattila
Two experimental new works from thingNY explore decadence, quarantine, digestion, and lineage at The Exponential Festival.
Happy 60th birthday bass René Pape
Only by knowing what went on around the great composers is it possible to truly understand why they are great and why their operas have come down to us (and why dozens of other titles have been left behind).
Talk of the Town
A favorite art song performance from Leyla Gender-Bender
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
A favorite art song performance from Erika Baikoff
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
A favorite art song performance from Last Castrato
Rosa Ponselle is the singer who had it all.
Rosa Ponselle is the singer who had it all.
A favorite art song performance from Armerjacquino
“Du bist die ruh” was one of the first art songs I ever knew.
“Du bist die ruh” was one of the first art songs I ever knew.
A favorite art song performance from Emma Hoffman
Respighi‘s liriche can be as colorful, poetic, and downright lovely as any selection from other art song traditions. Case in point: Rosa Feola‘s recording of the first song from Quattro rispetti toscani.
Respighi‘s liriche can be as colorful, poetic, and downright lovely as any selection from other art song traditions. Case in point: Rosa Feola‘s recording of the first song from Quattro rispetti toscani.
Two favorite art song performances from Julia Bullock
This task feels near impossible, as I listen to a LOT of art song singers on repeat, across decades and continents (from piano to orchestral works) — mostly for pleasure, but also for study.
This task feels near impossible, as I listen to a LOT of art song singers on repeat, across decades and continents (from piano to orchestral works) — mostly for pleasure, but also for study.
Born on this day in 1910 singer and actress Kitty Carlisle Hart
Michael Anthonio crunches the numbers on San Francisco Opera’s recent seasons and goes straight to the top to General Director Matthew Shilvock for a look at where SF Opera has been and where it’s headed
Born on this day in 1919 dancer Marge Champion
Born on this day in 1935 conductor Seiji Ozawa
Marc Minkowski conducts Benjamin Bernheim, a fourfold Kathryn Lewek, Christian Van Horn, and Kate Lindsey in a live broadcast from the Salzburg Festival
On this day in 1829 Rossini‘s Guillaume Tell premieres in Paris
When the subject of New York City Opera comes up, you always hear the same query: “What happened to City Opera? Are they even performing these days??”
Born on this day in 1922 soprano/mezzo-soprano/opera director Regina Resnik