Recent Stories
Had I been living at the time Walter Felsenstein’s film of Verdi’s Otello was released in 1969, such then-innovative elements as the use of color on television and a vernacular translation might have given me new insights into this great opera. Maybe.
For those of us newly accustomed to watching The Met: Live in HD cinecasts and similar events in our neighborhood theaters, it is easy to forget that opera as cinema was once a very different experience. Ritter Blaubart, one in a series of seven films by Walter Felsenstein recently released on DVD, shows us the…
Poet of the podium Carlos Kleiber leads the final minutes of Tristan und Isolde from the mystic abyss of Bayreuth, circa 1975.
La Cieca invites all the cher public to a troika of talk during tonight’s Met season premiere of Il trittico. The performance begins at 8:00 pm.
The great Swedish soprano died earlier today. She was 82. [AP]
The results of the Repertory Poll are in! Squirrel asked which three Old Operas you would most like to see staged at the New New Met, and the people have spoken! Results after the jump.
La Cieca welcomes to the editorial desk of parterre.com new correspondents squirrel and Ercole Farnese, who have already begun their blanket coverage of the New York City opera scene.
Tonight’s Met season premiere of Il trittico features Patricia Racette‘s first local whack at the three heroines, which means La Cieca expects the parterre posse to be out in force. Check back here at parterre.com beginning at 7:45 for a live chat coinciding with the Sirius/RealNetworks broadcast of the Puccini three-parter.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
Don’t cry because it’s over
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag
Rizzin’ to the occasion
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Grand Tier Grab Bag
When they go low
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Grand Tier Grab Bag
Nailin’ the coughin’
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
Landing the plane
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Grand Tier Grab Bag
Le galant tireur
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
Colombetta, Colombetta, Apri l’uscio, non farmi penar Del balcon solleva il velo Apri amor se no qui gelo Colombetta, Colombetta, Arlecchino gelando si sta.
(No, not that again.) The San Diego Opera, boldly exploring cutting-edge trends in dramaturgy, is producing a Twitter version of the complete history of opera.
The Met’s January Rosenkavalier performances have been reassigned to maestro Edo de Waart as James Levine “takes it easy” preparing the new production of Les Contes d’Hoffmann.
So, which composer wants to jump on this peach of a libretto? “The Met’s fund-raising office had kept in touch with Ms. Webster since then. It sent her books about the birds of Central Park; a volume called Red-Tails in Love: A Wildlife Drama in Central Park.”
You know how you have this old friend you’ve known for 20 years now, who’s always been a little nuts, or gets a little high, or just is, you know, eccentric, but in a way that is so clueless that it’s kind of endearing? Someone you can count on for a laugh, because you always…
My post about Nielsen’s Maskarade outraged only a few of you, and inspired a passionate discussion about what works we’d like to see at the New New Met. (Thank you, Hans Lick, for your very complete wish list!) You are each now invited to vote for your three most longed-for revivals or premieres at the…
What happens, La Cieca imagines, when Project Runway meets Carl Maria von Weber.
It’s no easy easy task to “re-review” one of the most discussed and scrutinized opera productions of the last few years. Mary Zimmerman’s mise-en-scène of Donizetti’s Lucia di Lammermoor has been extensively examined since it was chosen to inaugurate the 2007/08 season of the Metropolitan Opera, provoking very mixed reactions both from the professional critics…
Talk of the Town
The Talk of the Town
A favorite Verdi performance from Mister Snow
A favorite Verdi performance from Mister Snow
Nothing prepared me for the Soviero experience
Nothing prepared me for the Soviero experience
The Talk of the Town
A favorite Verdi performance from Tildy Diva
A favorite Verdi performance from Tildy Diva
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
The Talk of the Town
A favorite Verdi performance from Arrigo
A favorite Verdi performance from Arrigo
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
The Talk of the Town
A favorite Verdi performance from Peter Russell
A favorite Verdi performance from Peter Russell
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The Talk of the Town
A favorite Verdi performance from TC
A favorite Verdi performance from TC
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
The Talk of the Town
A favorite Verdi performance from Anna Netrebko
A favorite Verdi performance from Anna Netrebko
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
A funny thing happened to me yesterday. I was desperate to go to Aprile Millo’s long awaited recital but it simply wasn’t in the budget. La Cieca sent a posting mentioning she would give her extra ticket to the first one who e-mails her. I sent it, I got it, and the rest is history…
Attached you will find the song lineup for last night’s Aprile Millo recital, though as the saying goes, there were some changes to the printed program. The first half went more or less as planned, though after the R. Strauss a man exiting the auditorium tripped and fell in the aisle, hit his head on…
The Met’s new production of Janacek’s From the House of the Dead sets high standards for the company, but as an indicator of the Gelb Era, it may be too good to be true.
Far side of the lobby, near the big picture window overlooking the park.
Hui He will sing the title role of Verdi’s Aida at the Metropolitan Opera on March 26, 31, and April 3 matinee, replacing Hasmik Papian, who has withdrawn.
I have just come back home from Le Poisson Rouge, a stylish multimedia art cabaret in Greenwich Village where Decca offered a sneak peak of Cecilia Bartoli‘s DVD Sacrificium, which will be released some time next year. I normally don’t drink liquor, but my duty as a reporter obliged me not to refuse a special…
Erstwhile opera blogger Nick Scholl (aka Trrill) is currently live-tweeting the Poisson Rouge “Sacrificium” launch party!
They want it. The career. They want it really bad. So we learn from Susan Froemke’s Metropolitan Opera-commissioned documentary about the participants in the final round of the 2007 MetNational Council Auditions, which is out on DVD this month. Our own doyenne reviewed the film when it was screened as an HD theatrical event, and…
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