Tomorrow night’s performance of Attila promises to be a visual feast, especially for those of us whose visual aesthetic was crystallized in the 1960s era of gigantic hair, pearlized eyeshadow, liquid eyeliner and sharply tailored sportswear. And Violeta Urmana‘s look is pretty fierce too!
Above, the cutest press photo released today by the Met. (Juan Diego Flórez in the title role of Rossini’s “Le Comte Ory.” Photo: Micaela Rossato / Metropolitan Opera.) Following the jump: more preview images of the Met’s other six new productions of the 2010-2011 season.
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
Intern JJ here, ready to go with live coverage of the Met’s 2010-2011 press announcement, which will begin in about 30 minutes. See you there, cher public! Latest coverage begins after the jump.
La Cieca hears that Placido Domingo has withdrawn from Tamerlano at ROH due to ill health and is rumored to be in hospital. Kurt Streit will now sing all performances.
Per the Met press office, “Giovanni Meoni will make his Met debut singing the role of Ezio in the premiere of Verdi’s Attila, tomorrow evening, replacing Carlos Alvarez, who is ill.”
You can stop all your wondering about who will play Anna Nicole Smith in the eponymous oeuvre by Mark-Anthony Turnage (The Silver Tassie) and Richard Thomas (Jerry Springer: the Opera), scheduled for a premiere at the Royal Opera, Covent Garden in February 2011. It’s Eva-Maria Westbroek, seen here in the (ahem) Titelpartie of Lady Macbeth […]
“The Met’s been cleaning house of its lavish Franco Zeffirelli productions, mothballing his Tosca and Carmen earlier this season. But his staging of Puccini’s La Boheme remains a keeper, packing a punch 28 years after its premiere.” Our Own JJ goes gaga for Anna in the New York Post.
This month Deutsche Grammophon will scrape the bottom of the barrel and present a new recording of Leoncavallo’s genre-bending “symphonic poem for tenor and orchestra” La Nuit de Mai, studded with stars Plácido Domingo and Lang Lang. Dark horse Alberto Veronesi conducts — indeed, the same Muti-maned steed who was recently announced to succeed Eve Queler […]
Ordinarily La Cieca bestows the Wildean accolade upon a local cher pube. This time, though, she cannot resist praising one of the commentariat at Unpop!, Daniel Stephen Johnson‘s new project over at the New Haven Advocate.
The Catalan theatre company La Fura dels Baus, under the baton of Zubin Mehta, brought forth a new production of Wagner’s Der Ring des Nibelungen in 2007 in Valencia. The brochure for the DVD release calls this “A Ring for the 21st Century” and tells us that stage director Carlus Padrissa has employed “…imagery for […]
La Cieca has just heard from a generally reliable source that one of the principal artists has withdrawn from all performances of Attila at the Met. We’ve emailed the company’s press office for confirmation of the rumor.
It is not perhaps so surprising that even with the cleverest of the cher public participating, nobody jumped in with the right answer for last week’s Regie quiz. After all, the work depicted was Die Blume von Hawaii, the 1931 operetta composed, as you all know, by Paul Abraham to a libretto by Alfred Grünwald, […]
Three seasons of cancellations, a schlocky “reality” show, that haircut, and now… Rolando Villazón has gone full “Dr. Patch.” [Yahoo News]
Let’s get conversational this afternoon, cher public, for the Met broadcast of Ariadne auf Naxos.
La Cieca would like to welcome back into the parterre fold some members of the cher public (in the 10023 zip code, to be specific) who went missing for the past couple of months. We rejoice that those who were lost are now found!
Since Attila is in the forefront of our thoughts right now, and since the prima of the Met’s production won’t be broadcast, La Cieca thought it would be handy to have a Riccardo Muti performance of the Verdi work as a common point of reference.
La Cieca has the first top-secret highly classified eyes-only report from inside the hermetically sealed Attila dress rehearsal at the Met. Our spy (possibly pictured above) speaks out — after the jump, naturally.
La Cieca is delighted to hear that the Opéra de Paris and soprano Natalie Dessay just last night performed an hommage to Maria Callas by recreating one of the most famous nights of La Divina’s career. Unfortunately, that “night” was January 2, 1958, and in the intervening half century, opera management still hasn’t learned its […]
Rome, June 16, 1800. Emilia sits in the lodge of Palazzo Farnese, of which she is the doorkeeper. She is a resilient, strong-willed and somewhat hardened woman. After all, she has long been in the employ of the Palazzo’s formidable occupant, Baron Scarpia, and witness to so much of his wickedness.
Soprano star of MGM’s golden age Kathryn Grayson died yesterday. The leading lady of Anchors Aweigh, Show Boat and Kiss Me Kate was 88.
“If it appears the Division of Gerontology, Geriatrics and Palliative Care is attempting to commandeer Birmingham opera, there is a reason. ‘It’s because we are,’ says Andrew Duxbury, M.D., professor in the division. ‘We are taking over the opera’.” [UAB Reporter Online]
You know, La Cieca lived through the 1980s, just barely, and then imagine her surprise when, midway through the 2000s, there was a revival of all that 80s stuff — shoulder pads, leggings, big hair, glitter. All of it. Well, no, not quite all of it. There was one trend of the 1980s whose revival […]
La Cieca hears whispers from rehearsals of the Met’s eagerly-awaited new production of Attila that maestro Riccardo Muti is somewhat more, shall we say, engaged in the process than your average stick-waver.
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