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Or is La Cieca mistaken: could this rather be Alfred Deller‘s “after hours” show?
“They’re known for their great bods and for breathless blogs written by devoted admirers. Bearers of great pecs and pipes, barihunks like Matthew Worth and Tom Forde are bringing high art to the masses in a universally appealing form. And the dark-haired Gunn, all 6 broadly muscled feet of him, is king of that particular…
“This is the second of 3 postings to You Tube of a complete video of the curtain calls for … Nina Ananiashvili‘s final performance with ABT at the Metropolitan Opera House at Lincoln Center in New York….” [YouTube]
“Not since the young Jolanda Meneguzzer has anyone jumped the pearls in the often-cut Act 12 of this so very kinky work…” An operatic “mad-lib” type fill in the blanks game, after the jump.
Right the first time, WindyCityOperaMan! Last week’s Regie quiz was indeed Das Rheingold — as envisioned by Barrie Kosky for Staatsoper Hannover. You will forgive La Cieca for saying that either the quizzes are getting too easy or the cher public are getting too smart! As such, your doyenne has put her back into it…
La Cieca’s saturation coverage of the Met’s new Contes d’Hoffmann begins officially on Monday, when one of her most reliable and most devious spies promises a report from the dress rehearsal. You, the cher public, will be expected to sound off loud and clear during the opening night chat on Thursday at 8:00 pm.
The votes are in, and the cher public have chosen wisely, La Cieca thinks. Our listening/chatting experience at 1:00 this afternoon will be Verdi’s Don Carlos (or, as it should be called in this context, Don Carlo) in a performance recorded earlier this year at Covent Garden.
So La Cieca can only assume at this point that Franco Zeffirelli wants to spare his family the expense of an elaborate funeral, because he does seem to be going out of his way to alienate not only colleagues but the public as well. Now the legendary stage director has protested the appearance of popular…
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
Don’t cry because it’s over
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag
Rizzin’ to the occasion
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Grand Tier Grab Bag
When they go low
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Grand Tier Grab Bag
Nailin’ the coughin’
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
Landing the plane
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Grand Tier Grab Bag
Le galant tireur
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
Remember Dragana Jugovic del Monaco? Oh, come on, who could ever forget? Well, she’s back (or was back, anyway, as of 1999) for the following crossover effort with a pop singer who La Cieca supposes must be billed as something like “The Ozzy Osbourne of the Republic of Serbia.”
As a warmup for the impending Saturday afternoon Met broadcast chats, La Cieca thought the cher public would like to convene tomorrow in the PM to flex their chatting muscles. Which opera to be broadcast on the internet tomorrow should we hear and discuss?
La Cieca is a big enough woman to admit when she is bested, and bested she is… in the Tubedubber department.
On Monday, a A solo recital by Cheryl Studer sold so few tickets that the organizers of the event didn’t even bother to show up at the venue on the night of the performance. [Tagesspiegel]
La Cieca’s misnomered intime No Expert writes: The New Orleans Opera Association likes to describe New Orleans as “America’s First City of Opera,” and it’s true that opera performance has a long history in the Crescent City, dating back to at least 1796 when André Ernest Grétry’s Sylvain was presented. Since then, New Orleans, and…
La Cieca has a new favorite thing. It’s called Tubedubber, and what it does is it allows you to mix the video from one YouTube clip with the audio (soundtrack) from another.
A snippet of the Berlin Lohengrin directed by Stefan Herheim, who is rapidly becoming one of La Cieca’s favorite Regisseurs!
“In addition to her work on stage and in recordings, Renée Fleming has represented Rolex timepieces in print advertising since 2001. Master Chef Daniel Boulud has created the dessert ‘La Diva Renée’ (1999) in her honor, and she has inspired the ‘Renée Fleming Iris’ (2004), which has been replicated in porcelain by Boehm.
Talk of the Town
The Talk of the Town
A favorite Verdi performance from Mister Snow
A favorite Verdi performance from Mister Snow
Nothing prepared me for the Soviero experience
Nothing prepared me for the Soviero experience
The Talk of the Town
A favorite Verdi performance from Tildy Diva
A favorite Verdi performance from Tildy Diva
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
The Talk of the Town
A favorite Verdi performance from Arrigo
A favorite Verdi performance from Arrigo
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
The Talk of the Town
A favorite Verdi performance from Peter Russell
A favorite Verdi performance from Peter Russell
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The Talk of the Town
A favorite Verdi performance from TC
A favorite Verdi performance from TC
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
The Talk of the Town
A favorite Verdi performance from Anna Netrebko
A favorite Verdi performance from Anna Netrebko
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
“Important warning: Covent Garden is marketing this as a family show for Christmas, but please don’t think of taking the children – they’ll be bored rigid and never want to go anywhere near an opera again.” With The Tsarina’s Slippers Francesca Zambello‘s nonstop string of successes just keeps on stringing along! [Telegraph]
After seeing a video excerpt from the Met’s Patrice Chéreau production of From the House of the Dead, I was struck by the cleanness of it all, the sets, the costumes, the tastefully muted colors, and the direction. No doubt it is moving, in its way, but is it relevant? It looks like generic suffering…
La Cieca is delighted to announce the 2009-2010 Saturday afternoon broadcast season brought to you by the Toll Brothers-Metropolitan Opera Radio Network, beginning December 12. For each of these broadcasts, La Cieca will host (or at least leave the doors open for) a chat amongst the cher public.
On the heels of this, may I direct everyone’s attention to a funny and fascinating article about Stefan Herheim‘s production of Lohengrin from last spring at Berliner Staatsoper? Now we know what to do with those old costumes and sets that gather dust! [via the wellsungs]
“Since the 1918 premiere of Puccini’s Il Trittico, only two divas at the Met dared to sing the leading roles in all three of its one-act operas: Renata Scotto, a supreme vocal stylist, and Teresa Stratas, a magnetic singing actress. On Friday, Patricia Racette, who is not quite either of these things, took the plunge.”…
Smartly done, Kashania, who guessed almost immediately that last week’s Regie quiz represented From the House of the Dead — in a production by Calixto Bieito, by the way. But even oil drums, truck tires and life-sized airplanes suspended over the stage might look a little prim in contrast to this week’s puzzler:
Squirrel was expecting boobs! People, there were no boobs, and for that, I was a little disappointed.
“Voglio essere giudicato per la musica e nient’altro che per la musica.” “I want to be judged for my music and nothing but my music.” This phrase, which Mascagni himself wrote to his publisher Sonzogno, is the key to understanding the very essence and existence of L’amico Fritz (1891). Cavalleria rusticana, Mascagni’s first performed opera,…
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