Recent Stories
“People are on the way to check on Marguerite, after hearing that a man has been seen in her area.”
There are several reasons to purchase the new DVD of Die Meistersinger from Vienna (EuroArts EUA 2072488), but the main one is Christian Thielemann. This production will most likely come to be known as “Thielemann’s Meistersinger,” because his sense of the overall architecture of the work is, pardon the pun, masterful.
The day after opening the 2009-10 season with Hugo Weisgall’s Esther, New York City opera presented one of the most beloved operas in the entire repertoire, Mozart’s Don Giovanni, in a new production by Christopher Alden.
“Mr. Okulitch and Mr. Hardy have matching black briefs over which they each wear half of a single suit: Giovanni, the jacket; Leporello, the pants. When they switch identities, they trade suit parts, again a vivid metaphor, and made more striking because both singers are so buff.” [NYT]
“As Renee Fleming was looking over a list of potential franchise businesses she could open, she noticed that Little Caesars — one of her favorites — offered incentives to entrepreneurs who had served in the military.” [Denver Business Journal]
The ArtHaus Musik DVD of the Deutsches Nationaltheater/Staatskapelle Weimar production of Wagner’s Das Rheingold, stage directed by Michael Shulz, begins with a long still shot: That’s right, this interpretation of Wagner’s epic 19-hour cycle kicks off with a long static shot of… some dirty red boots. It’s gonna be a long Gesamtkunstwerk.
parterre fave Peter Konwitschny has returned to his métier, directing a new production of Salome — with a happy ending! Following the jump are excerpts from an interview with the director in Volksrant, translated by Our Own Freniac.
What? Springtime? Adam Lambert? An Ungaro Spring frock (pictured)? Or that old standby, “gayer than eight guys fucking nine guys?” (Not pictured, alas) Yes, all those things are gay, and some are even gay gay gay gay gay. But nothing is or ever was as gay as this:
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
Doubling down on its artistic mission, New York City Opera begins a tenuous season with a turgid Bible drama.
Once again we have an email from a budding member of the cher public (and you know La Cieca never could resist a budding member), so put on your thinking caps, cher hive mind, and offer a little advice:
The life of Dmitri Shostakovich’s opera Lady Macbeth of Mtsensk is almost as melodramatic as that of its heroine. Composed in the early 1930’s, the opera was well received at its 1934 Leningrad premiere, and was also a success in Moscow a couple of years later. Then one evening Stalin came to see it and…
Well, Sanford definitely wins the prize for the best mot of the week (in addition to his uncontested status as biggest ‘mo of the year) for his comment about last week’s Regie quiz. The opera pictured above is apparently taking place in a rehearsal hall, so he guessed it must be called Zar und Mary…
The legendary dramatic soprano was born November 7, 1936.
Edgar has always been the odd man out in the Puccini canon, lying well outside the standard rep. The recent discovery of forty minutes of additional music is likely to do little to change that, but the find was momentous enough to merit a world premier of the newly restored Four Act version of Puccini’s…
Some sunny diversion (and perhaps a little threaded conversation) on a grey Saturday afternoon: a rebroadcast of the March 9, 1974 performance of I Vespri Siciliani from the Met. The stream begins at 1:00 pm EST here, or if you’re feeling adventurous, you can delve further into Oslo, Norway’s NRK P2 radio. Elena: Montserrat Caballé;…
Cher public, La Cieca would like to call your attention to the latest innovation by our webmeister Nick Scholl: threaded comments. You can now reply to a specific comment (instead of the entire thread) and thus we can avoid having to start every reply with, “squirrel, you have got to be kidding me!” (Though doubtless…
Talk of the Town
A favorite Verdi performance from Mister Snow
Nothing prepared me for the Soviero experience
Nothing prepared me for the Soviero experience
A favorite Verdi performance from Tildy Diva
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A favorite Verdi performance from Arrigo
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
A favorite Verdi performance from Peter Russell
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
A favorite Verdi performance from TC
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
A favorite Verdi performance from Anna Netrebko
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
Joyce Di Donato‘s latest release is a CD entirely devoted to music Rossini composed for his first wife, Isabella Colbran, one of the most celebrated divas of the early 19th century.
According to the always reliable Zachary Woolfe, among the beans spilled at the NYCO “Koch” Gala last night was the strong suggestion (from no less than Rufus Wainwright himself) that a production of Prima Donna is planned for an upcoming George Steel-planned season. [New York Observer]
“…this stage still has a tendency, it seems, to swallow some of the bloom and resonance of voices…. For both works, the orchestra came through just fine. Less so the voice, though the sound was honest and clear…. the amplification did not make these singers much more audible than those who sang the old-fashioned way….…
Among the “auditions” that have come flooding in from the cher public are reviews of three very different productions of Don Giovanni. Your doyenne has taken the liberty of combining the three critiques into a single posting, but she urges you to remember, remember well the names of the authors of this troika of treatises.
It is always a relief when one comes across a wonderful creation, a new existence, a rediscovery. One feels regret for not knowing it before, but alas, the joy overflows. The fear of unknown, the fear of leaving the comfort zone always ends up with enlightenment and embracing the new known. In this case, is…
“I love the way highlighters can minimize your worst features while enhancing others. Apply just above the eyes for a wide-awake look and use to contour around the cheeks. A makeup artist’s favorite is Yves Saint Laurent Touche Eclat concealer. Makeup artist Jo Strettel swears by this in Elle magazine because it’s easy to use:…
La Cieca invites you to enjoy a new blog from occasional member of the cher public (or member of the occasionally cher public) Crewmantle: COMMANDOpera.
The joy on my face after opening the plain manila envelope that contained the ArtHaus Musik DVD of Walter Felsenstein‘s 1975-6 Die Hochzeit des Figaro is hard to describe. I wanted to love this DVD with all my heart, as I have with the three other Nozze DVDs I own. I did, and then some.…
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