Recent Stories
Cher public, did you think your doyenne would let today’s broadcast of Carmen go by undiscussed — especially since Teddy Tahu Rhodes is jumping in for the (presumably) ailing Mariusz Kwiecien?
Congratulations to Rysanekfreak (pictured), contributor of the best top ten list in La Cieca’s Oughty But Nice competition. The ‘Freak’s somewhat meta compilation was entitled The Top Ten Participants I Have Most Enjoyed Reading on Parterre Box During the Last Decade. Rysanekfreak will receive a $100 gift card from amazon.com.
The Sultan of Seattle himself, Wenarto, thought of it first. In fact, he created the legend that is Izzy Anderson. And now, that British TV show has taken his idea and just polished it up a little. Royalties, please!
“Unlike Ms. Garanca, Ponselle was among the many Carmens who have tried some real dancing.” Why is La Cieca not surprised that one of the few intelligent and detailed surveys of the dramatic element of the Met’s new Carmen should be written by a dance critic? [NYT]
“I should make it clear here that neither have I married anyone with a beard nor have I ever murdered anyone. However, it was at this juncture in the early Noughties that my life hit rock bottom.” [The Times]
Puccini’s shockeroo was first performed 110 years ago today, January 14, 1900, at the at the Teatro Costanzi in Rome.
“Why can’t a general director with the fame, charm and ability of Domingo roll up his sleeves and work to realize his vision, rather than distancing himself from the results? The answer: because he isn’t actually there, running the company. He’s conducting Stiffelio, or singing Simone Boccanegra, or trying to keep up with his other…
Okay, Justin Davidson, it’s on.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Goodnight, Irene
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
Poetic license
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Set the DVR! Tonight on TCM at 8:00 PM: among the campiest of all operatic movie musicals, The Great Waltz, starring that most stratospheric of sopranos, Miliza Korjus!
Some composers write as if the dividing line between instruments that play notes and the voice, which usually sings a text and takes some of its attitude towards the music from that text, were not an all-important factor.
Washington National Opera in 2010-2011: dreary season, or dreariest season ever? [Washington Post]
Because he’s seeing and reviewing Stiffelio later this week, JJ is recusing himself from tonight’s broadcast. But those of you who feel like discussing, you’ve got here and La Casa della Cieca.
Katherine Jenkins, C-list Britpop has-beens… and Rolando Villazón in a ginormous jewfro. No, this does not bode well.
Welcome, cher public, to discussion for this afternoon’s Met broadcast of Der Rosenkavalier. The performance begins at 1:00 PM.
Member of the cher public Harold informs La Cieca, “The singing is good but the intermissions are too fucking long. The pause was longer than the last scene and the intermission longer than Act 2. I’ll be damned if I’m going to come back for 2 40-minute intermissions and a 10 minute scene change surrounded…
The American soprano was born 84 years ago today.
Talk of the Town
Yannick Nézet-Séguin is a great opera conductor
Historically, conductors were often viewed as rigid, authoritarian figures. Yannick Nézet-Séguin completely subverts this stereotype.
Historically, conductors were often viewed as rigid, authoritarian figures. Yannick Nézet-Séguin completely subverts this stereotype.
Patrizia Ciofi should have made it to the Met
The artist who I feel should have made it to the Met is Patrizia Ciofi.
The artist who I feel should have made it to the Met is Patrizia Ciofi.
Giannina Arangi-Lombardi never made it to the Met
Giannina Arangi-Lombardi never sang at the Met.
Giannina Arangi-Lombardi never sang at the Met.
Andrée Esposito and Alain Vanzo should have made it to the Met
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
Ebe Stignani and Anita Cerquetti should have made it to the Met
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Sena Jurinac should have made it to the Met
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
There’s lots of coverage in both Italian and English-language media today about how Franco Zeffirelli (sort of) called Daniela Dessì “fat.” La Cieca chose this one because it had the funniest pictures. [The Telegraph]
La Cieca listened to Sirius for a while tonight, but then her ears began to bleed. When the best singing comes from Margaret Juntwait… but I gotta tell ya, folks.
“Ray Dull of Fresno, who recalls in the 1940s hauling manure as a teenager on his family’s Ohio farm as he listened to the Met’s Saturday radio broadcasts, understands the appeal of being up close in the movie theater.” [The Fresno Bee]
At exactly 11:18 this morning, parterre.com posted comment number 100,000.
The maniacal laughter of incorrigible NYCO nemesis Manuela Hoelterhoff continues to echo through the halls of Castle Bloomberg this morning, as yet another of the executive editor’s gang of henchscribes gloats over yesterday’s announcement of a curtailed season at the company that dared to snub Francesca Zambello. Poor paltry fools!
“Though fine from a distance, the ladies’ costumes (also designed by Howell) had an air of Lisa Kudrow’s character on Friends circa 1994, which means they’ll probably be au courant in a few years.” [Time Out New York]
A Little Night Music at the Walter Kerr last night left me longing for a little more than we were given. Yes, there are some wonderful things about this revival of Stephen Sondheim’s most unabashedly romantic musical – and I’ll get to those in a minute – but the sets and costumes by David Farley…
Speaking of people what have “ridden that streetcar,” Antipodean diva Cheryl Barker‘s sudden withdrawal from Opera Australia’s first new production of Tosca in almost three decades seems to be based on her objection to the staging by Christopher Alden.
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