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Carmen Giannatasio sings her first Minnie, under Riccardo Frizza, in a live broadcast from Bologna.
Lise Davidsen is pregnant with twins!
Nothing to add here – Just heavenly singing from one of my all-time favorites.
Target Margin Theater proudly boasts that Show/Boat: A River, its small-scale and bare-bones staging of Show Boat (at the Skirball Center on Washington Square through the 26th), is a “bold reimagining” of the classic Jerome Kern & Oscar Hammerstein show, a “new adaptation that explores America’s transformation from the Jim Crow 1880s to the Chicago of the Great Migration to the challenges of today,” but I don’t see it.
Sabine Devieilhe sings a lot of stellar Mozart — Ilia, Susanna, Blonde, a fierce Queen of the Night — but it’s her 2015 concert-aria recording, featuring hubby Raphael Pichon and his period ensemble Pygmalion, to which I return most often. Stick around until the VERY end of the final track for an ass-kicking surprise. (Or should I say…ass-licking? ;)
Seven years ago, Trove Thursday presented an anthology of sixteen Mozart soprano concert arias. In 2025, Chris’s Cache adds to this month’s Mozart-fest with a deep dive into three of the most celebrated of those works: Vorrei spiegarvi, oh Dio!; Bella mia fiamma; and Ch’io mi scordi di te.
The combination of a young opera director who is a little bonkers and a seasoned Mozart soprano (this was Lenneke Ruiten‘s 13th Mozart role on stage) resulted in one of the best performances of Nozze di Figaro I’ve ever seen.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Grand Tier Grab Bag
Grand Tier Grab Bag
Erste Brautnacht
Erste Brautnacht
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Grand Tier Grab Bag
Tabled for now
Tabled for now
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
Grand Tier Grab Bag
My heart belongs to daddy
My heart belongs to daddy
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
Grand Tier Grab Bag
Mediterranean crossings
Mediterranean crossings
Grand Tier Grab Bag anticipates Elina Garanca‘s upcoming Zwischenfach pivot by sharing her in some other not-quite-mezzo repertoire opposite Brian Jagde.
Grand Tier Grab Bag anticipates Elina Garanca‘s upcoming Zwischenfach pivot by sharing her in some other not-quite-mezzo repertoire opposite Brian Jagde.
Grand Tier Grab Bag
Ritorna un’altra volta
Ritorna un’altra volta
Parterre Box anticipates Ailyn Peréz‘s upcoming New York performances of Madama Butterfly with the Puccini role most closely associated with her
Parterre Box anticipates Ailyn Peréz‘s upcoming New York performances of Madama Butterfly with the Puccini role most closely associated with her
Grand Tier Grab Bag
My sister’s keeper
My sister’s keeper
Grand Tier Grab Bag highlights La Scala’s opening night prima donna Sara Jakubiak with an excerpt of her Chrysothemis recorded last year.
Grand Tier Grab Bag highlights La Scala’s opening night prima donna Sara Jakubiak with an excerpt of her Chrysothemis recorded last year.
Christopher Cerrone and Stephanie Fleischmann‘s opera at the Prototype Festival re-sets Rashomon in the Pacific Northwest and binds its characters into a hellish cycle of violence with a dark, hypnotic score
As most of you probably know, I worship at the altar of Moffo the way some worship Callas. She has so many great complete recordings, including Falstaff, Luisa Miller, Lucia, Rigoletto, etc. But one of her very best is this Nozze. Carlo Maria Giulini leads an absolutely perfect cast.
In 2011, Sondra Radvanovsky‘s Tosca proved promising; fourteen years later, it was absolutely magnificent, a completely satisfying musical and dramatic embodiment of a challenging role by an artist at the peak of her powers.
Nadine Sierra, Javier Camarena, and Artur Rucinski lead a live broadcast from Barcelona.
I was so beguiled by Erika Baikoff when I saw her perform at the Sag Harbor Song Festival back in September. Such a lovely and musical voice that just flows and when she sang this, she got mid-note applause during the final sustained B.
Sometimes–to negotiate the High Gee!s, as it were–you just need to call in Edda Moser.
Mozart’s Le Nozze di Figaro, Paris 1980: Georg Solti, Lucia Popp, José Van Dam, Gundula Janowitz, Gabriel Bacquier, Frederica Von Stade.
Talk of the Town
The Talk of the Town
The best thing I saw in 2025 was Stiffelio
The best thing I saw in 2025 was Stiffelio
Looking back, this Stiffelio in Piacenza is the one I cherish the most.
Looking back, this Stiffelio in Piacenza is the one I cherish the most.
The Talk of the Town
The best thing I saw in 2025 was Amartuvshin Enkhbat
The best thing I saw in 2025 was Amartuvshin Enkhbat
I wasn’t alive during the golden age of Verdi baritones like MacNeil, Warren, or Gobbi, but hearing Amartuvshin Enkhbat live in an opera house must be the next best thing.
I wasn’t alive during the golden age of Verdi baritones like MacNeil, Warren, or Gobbi, but hearing Amartuvshin Enkhbat live in an opera house must be the next best thing.
The Talk of the Town
The best things I saw in 2025 were vocal recitals
The best things I saw in 2025 were vocal recitals
I’m going with four outstanding, deeply personal NYC recitals
I’m going with four outstanding, deeply personal NYC recitals
The Talk of the Town
The best thing I saw in 2025 was In a Grove
The best thing I saw in 2025 was In a Grove
I had the pleasure of going with some members of the Pittsburgh Opera to the PROTOTYPE Festival in New York at the start of the year- almost unfortunate it was so early on in 2025 because it set my expectations for the year so high!
I had the pleasure of going with some members of the Pittsburgh Opera to the PROTOTYPE Festival in New York at the start of the year- almost unfortunate it was so early on in 2025 because it set my expectations for the year so high!
The Talk of the Town
The best thing I saw in 2025 was Festen
The best thing I saw in 2025 was Festen
It’s a dazzling, shocking, and entertaining 100 minutes – one of the best new operas I’ve seen.
It’s a dazzling, shocking, and entertaining 100 minutes – one of the best new operas I’ve seen.
The Talk of the Town
The best thing I saw in 2025 was Sunset Boulevard
The best thing I saw in 2025 was Sunset Boulevard
I still don’t think Sunset Boulevard is a top-tier musical but it was by far the most memorable vocal performance I saw in 2025.
I still don’t think Sunset Boulevard is a top-tier musical but it was by far the most memorable vocal performance I saw in 2025.
In the “tormented writers’” room, two actors in goth makeup and bride-of-Frankenstein wigs are clacking on typewriters and throwing crumpled papers on the floor.
The New York Gilbert and Sullivan Players are celebrating their 50th Anniversary Season presenting Ruddigore (last month), The Pirates of Penzance (first two weekends in January), and Iolanthe (on its way in April).
Baroque specialist Ottavio Dantone leads a live video broadcast from the Teatro Alighieri in Ravenna
Sing High, Sing Low – My favorite Fiordiligi
In Munich, performances by 97-year-old Herbert Blomstedt and 32-year-old Thomas Guggeis show the city’s orchestral ensembles at their best
I’ve shared this before but this is one of the most perfect pieces of Mozart singing and acting I’ve ever come across.
Given the keen interest in recent posts of Met pirates of Montserrat Caballé in Verdi, Chris’s Cache concludes its trio with the Spanish soprano’s Met Violetta, along with additional Met in-house recordings of Virginia Zeani, Pilar Lorengar, Jeanette Pilou, and Joan Sutherland as Verdi’s doomed courtesan.