L’Heure exquise
Although she didn’t sing that eponymous song by Reynaldo Hahn at Weill Recital Hall Thursday evening, Sabine Devieilhe did offer an “exquisite hour” of early 20th century French songs.
Although she didn’t sing that eponymous song by Reynaldo Hahn at Weill Recital Hall Thursday evening, Sabine Devieilhe did offer an “exquisite hour” of early 20th century French songs.
On this day in 1907 the Metropolian Opera premiered Puccini’s Manon Lescaut with the composer in attendance.
If I had to live with just one Tchaikovsky opera, it would be Iolanta.
On this day in 1960 tenor Jon Vickers made his Metropolitan Opera debut as Canio.
When a work is named for its lovers one might legitimately expect that pair to dominate its performance but in my experience that is never the case with Debussy’s Pelléas et Mélisande.
Now, you would think nothing could please gaycentric La Cieca more than yesterday’s New York Times profile of the Met’s new music director…
Happy 85th birthday mezzo-soprano Marilyn Horne.
“Remember where you are. This is Adriana Lecouvreur. Death is listening, and will take the first diva that screams.”
La Cieca invites the cher public to visit Allemonde tonight at 7:30.
On this day in 1958 Samuel Barber‘s Vanessa had its world premiere at the Met.
Last week, our indefatigable podcaster Christopher Corwin (not pictured) achieved the milestone of the 200th episode of Trove Thursday.
No other singer of Die Amme approaches the towering standard set by the German mezzo Tanja Ariane Baumgartner.
On this day in 1900 Puccini’s Tosca premiered in Rome.
Happy 83rd birthday baritone Renato Bruson.
Astounding Anita Rachvelishvili gets mixed up with Saxe and violets
On this day in 1912 Pietro Mascagni’s Lodoletta had its United States premiere at the Metropolitan.
Which superstar performer, despite recent success in this hemisphere, has thus far hesitated to sign a contract for more performances next season?
“Couple of hours ago at home, I was preparing for the show, when suddenly I collapsed.”
On this day in 1934 soprano Lotte Lehmann made her Metropolitan Opera debut as Sieglinde.
It’s the final Otello broadcast of the Met season.
Roberto Alagna’s physical and vocal embodiment of Don José lent his particular narrative a complication I hadn’t anticipated.
“Trove Thursday” offers a recent broadcast of one of his best-known but rarely performed operas, Il Mitridate Eupatore.
Cellist Leah Coloff’s one-woman cabaret act ThisTree finds its place among a lineup of Prototype Festival miniatures this week that seem to plumb the depths of womanly distress.
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