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Born on this day in 1933 soprano Montserrat Caballé.
Sunday’s “Rising Stars in Concert”, featuring the Ryan Opera Center ensemble and members of the Lyric Opera Orchestra, was a stirring and entertainingly musical afternoon.
Peter Mattei, one of my two favorite baritones these days, in an unexpected title role, Britten’s Billy Budd.
On this day in 1975 soprano Katia Ricciarelli made her Met debut as Mimi.
“What you may not realize is that most of the sound effects and background music have been made entirely from a base of recorded clusters of notes sung by Ms. Fleming.”
On this day in 1996 tenor Roberto Alagna made his Met debut as Rodolfo.
Zelmira, a work of 1822, was the last of the eight operas Rossini composed for the Teatro San Carlo in Naples, then the largest opera house in Italy—perhaps in Europe.
On this day in 1964, Richard Burton opened in Hamlet at the Lunt-Fontanne Theatre.
Grand Tier Grab Bag
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
“The first person walks out of this preview performance about 30 minutes in…”
Another new role!
Ivo van Hove really seems to be everywhere lately.
Born on this day in 1921 tenor Franco Corelli.
The Richard Tucker Music Foundation announced today that Lisette Oropesa has been named as the winner of the 2019 Richard Tucker Award.
Michael Mayer‘s production of La traviata at the Met is so timid, so devoid of insight, so cynically pandering and gaudy that I hardly feel like it even matters what I think of the performances of the current cast.
On this day in 1975 soprano Beverly Sills made her official Met debut as Pamira.
Let the creepiness from Met begin (for today, anyway) at 1:00 PM.
Talk of the Town
A favorite Verdi performance from Tildy Diva
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A favorite Verdi performance from Arrigo
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
A favorite Verdi performance from Peter Russell
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
A favorite Verdi performance from TC
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
A favorite Verdi performance from Anna Netrebko
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
A favorite Verdi performance from Armerjacquino
Before the screams of horror begin, it says ‘favorite’, not best.
Before the screams of horror begin, it says ‘favorite’, not best.
On this day in 1989 soprano Sumi Jo made her Metropolitan Opera debut as Gilda.
One needs liberty in order to be a libertine.
Born on this day in 1908 definitive American film actress Bette Davis.
“Trove Thursday” salutes Rosalind Elias today with what—at first glance—might be mistaken for a Met La Gioconda.
Trial by Jury was the operetta chosen by Lamplighters Music Theatre, the San Francisco-based Gilbert & Sullivan company, to close their 66th season.
On this day in 1964 Stephen Sondheim’s Anyone Can Whistle premiered on Broadway and closed after nine performances.
We owe director John Doyle and Classic Stage Company a debt of gratitude for bringing Blitzstein’s The Cradle Will Rock—warts and all—to the stage.
Have a Roman holiday this evening starting at 7:55 PM, cher public!
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