I believe in unicorns
Sunday evening Los Angeles Opera presented tenor Javier Camarena in recital to a wildly enthusiastic audience from the stage of the Dorothy Chandler Pavilion.
Sunday evening Los Angeles Opera presented tenor Javier Camarena in recital to a wildly enthusiastic audience from the stage of the Dorothy Chandler Pavilion.
Happy 64th birthday soprano Cheryl Studer.
Of more than 13,000 tickets to the ROH’s Fidelio starring Jonas Kaufmann, only “hundreds” will be made available to the public.
Born on this day in 1844 actress Sarah Bernhardt.
How does one make a performance of standard opera repertoire like Mozart’s Le nozze di Figaro feel “fresh?”
With all the greatest respect for Jessye Norman as an artist, I do wish people would stop quoting her vain and defensive statements about critics as if she were some kind of oracle.
On this day in 1883 the Metropolitan Opera House opened with Gounod’s Faust.
Jonas Kaufmann is among the top talent gathered for a program offering hands-on experience in the discipline of your choice.
My first-ever Met Sunday opera brought the welcome return of Gluck’s sublime Orfeo ed Euridice in an enchanting afternoon that combined elegant conducting, joyous dancing and Jamie Barton’s extraordinary hero.
Happy 93rd birthday soprano Virginia Zeani.
Gluck’s sublime Orfeo ed Euridice makes a welcome return to the Met.
Christian Gerhaher delivers a Kindertotenlieder of such conciliatory tact that it erases all others.
On this day in 1954 Mary Martin flew into Broadway in Peter Pan.
On this day in 1987 a new production of the Cole Porter classic Anything Goes opened at the Vivian Beaumont theater, starring Patti LuPone.
I find it difficult to experience Madama Butterfly without also experiencing an odd fracturing of the self.
At the Park Avenue Armory, Barbara Hannigan chose to sing works that tested her metal in odd corners of vocalism.
In El Barbero de Sevilla, as given through the weekend by the New Camerata Opera, there is far too much comic dialogue, all of it in English and none of it sparkling.
Hannah Lash’s latest opera, which premiered at the Miller Theater on Wednesday night, was a musical and dramatic misfire.
Born on this day in 1898 actress, singer and muse Lotte Lenya.
Little Shop of Horrors loses its necessary edge when it’s wrested from the gritty world of its creation.
When I think of Nina Stemme’s voice, I think of gianduja, Armagnac soaked dark cherries, and chestnuts.
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