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The Bayerische Staatsoper streams its new production of Britten’s tragedy. Conductor: Edward Gardner. Production: Stefan Herheim.
Born on this day in 1922 actor, director, and screenwriter Pier Paolo Pasolini.
From January 6, 1973: Richard Bonynge; Joan Sutherland, Luciano Pavarotti, Regina Resnik, Fernando Corena
“Plus, he never laid a glove on those kids.” — Jonas Kaufmann, probably.
Born on this day in 1934 singer and actress Barbara McNair.
This sterling revival shows the Metropolitan to be surviving well and in good shape.
“It is a great artistic loss for the Met and for opera,” said Met General Manager Peter Gelb.
The Met’s new Don Carlos has prompted a lot of discussion lately about opera-in-translation, so Trove Thursday this week offers two works unexpectedly performed in French: Rimsky-Korsakov’s Snegourotchka and Weber’s Euryanthe.
Grand Tier Grab Bag
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Born on this day in 1911 actress Jean Harlow.
On this day in 1933 the film King Kong premiered simultaneously at Radio City Music Hall and the RKO Roxy.
There was something very Russian—indeed, Chekhovian—about the mix of joy and tears, as the Academy of Vocal Arts performed Tchaikovsky’s Eugene Onegin
When was the last time the Metropolitan Opera mounted a new production that was musically outstanding yet the direction and/or design mostly sucked?
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In a busy flurry of Instagram posts earlier today, Anna Netrebko announced a temporary withdrawal from her performing career.
The Met’s new season, including Medea with Sondra Radvanovsky, set parterrian tongues wagging during the month of February 2022.
On this day in 1979 Stephen Sondheim and Hugh Wheeler‘s Sweeney Todd: The Demon Barber of Fleet Street opened at the Uris Theatre.
Talk of the Town
A favorite Verdi performance from Krunoslav
Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
A favorite Verdi performance from Michael M. Landman-Karny
Nadine Sierra‘s Gilda at the Metropolitan Opera had that rare quality of sounding both immaculate and spontaneous, as if Verdi’s lines were being discovered in the moment rather than executed.
Nadine Sierra‘s Gilda at the Metropolitan Opera had that rare quality of sounding both immaculate and spontaneous, as if Verdi’s lines were being discovered in the moment rather than executed.
A favorite Verdi performance from Moe Rear
Tito Gobbi‘s performance of Rigoletto’s “Cortigiani, vil razza dannata” offers the most musically and dramatically complete portrait of Verdi’s tortured court jester that I have ever heard.
Tito Gobbi‘s performance of Rigoletto’s “Cortigiani, vil razza dannata” offers the most musically and dramatically complete portrait of Verdi’s tortured court jester that I have ever heard.
A favorite Verdi performance from Quinn Kelsey
I’ve looked to Sherrill Milnes many a time for insight and guidance whenever I’ve added a new Verdi role to my repertoire.
I’ve looked to Sherrill Milnes many a time for insight and guidance whenever I’ve added a new Verdi role to my repertoire.
A favorite Verdi performance from Leyla Gender-Bender
Stiffelio has always been the dark horse of early Verdi operas.
Stiffelio has always been the dark horse of early Verdi operas.
Yannick Nézet-Séguin leads Matthew Polenzani in the title role, Sonya Yoncheva as Élisabeth de Valois, Jamie Barton as Eboli, Etienne Dupuis as Rodrigue, Eric Owens as Philippe II and John Relyea as the Grand Inquisitor.
Jordi Savall and William Christie, 80 and 77 respectively, stand as the two senior masters whose recordings and appearances have done the most over the past decades to build a healthy local enthusiasm for pre-Classical music.
Born on this day in 1948 actress and singer Bernadette Peters.
In any case, we are now in the Queen’s garden of the Palace in Madrid. It is the day before the coronation of King Philip. Coronation? What coronation?
Born on this day in 1932 actress and humanitarian Dame Elizabeth Taylor.
The only correct version of Don Carlos must be in French. That is the language that Verdi composed it in and he made all his revisions in that language.
Artistic temperament she had, but not including self-centered megalomania. She was one of the most fully human individuals I have ever known.
Highlights showcase the Met’s most revered African American stars.
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