Recent Stories
Don Carlos is my favorite Verdi opera, and I’m always in favor of including the most music. But it can be a dizzying task to keep track of all the options.
In honor of Black History Month, the Met rebroadcasts a 1984 performance.
It’s 1938. We know, even if the characters do not, how the story will end.
San Francisco Opera prepares to barge down the Nile.
Born on this day in 1925 actress and singer Elaine Stritch.
Two hours of bedazzlement await you.
Signs of new life at the Met caught the attention of parterrians in January.
Today is the 100th anniversary of the birth of soprano Renata Tebaldi.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
When they go low
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Grand Tier Grab Bag
Nailin’ the coughin’
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
Landing the plane
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Grand Tier Grab Bag
Le galant tireur
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
Grand Tier Grab Bag
My 600 performance life
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Grand Tier Grab Bag
Life imitates art
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
“The design of the Met’s new production [of Lucia di Lammermoor] by Simon Stone suggests a present-day American Rust Belt, an area once prosperous but now fallen into decline and neglect.”
Born on this day actresses Carol Channing (1921) and Tallulah Bankhead (1902).
Happy 85th birthday to actress and activist Dame Vanessa Redgrave.
Jonas Kaufmann in the title role, with Lise Davidsen and Bryn Terfel from the Vienna State Opera.
On this day in 1966 the musical Sweet Charity opened at the Palace Theatre, with Gwen Verdon and Bob Fosse collaborating.
Kristine Opolais, Jonathan Tetelman and Gábor Bretz star in a live telecast from the Theater an der Wien.
Born on this day in 1873 author and woman of letters Colette.
Jamie Barton will sing Eboli in the Met’s new production of the original five-act French version of Verdi’s Don Carlos, replacing Elina Garanca, who has withdrawn.
Talk of the Town
The Talk of the Town
A favorite art song performance from Niel Rishoi
A favorite art song performance from Niel Rishoi
Hans Hotter masterfully captures the poignancy of this sublime Brahms Lied.
Hans Hotter masterfully captures the poignancy of this sublime Brahms Lied.
The Talk of the Town
A favorite art song performance from Arrigo
A favorite art song performance from Arrigo
While refined, Lisa della Casa sings “Four Last Songs” deeply alert to the text and with effortless vocalization that sounds fresh and spontaneous.
While refined, Lisa della Casa sings “Four Last Songs” deeply alert to the text and with effortless vocalization that sounds fresh and spontaneous.
The Talk of the Town
A favorite art song performance from Belfagor
A favorite art song performance from Belfagor
Funnily enough, I’m not remotely a Rachmaninov fan, but this performance by Galina Vishnevskaya in her considerable prime always gives me the chills.
Funnily enough, I’m not remotely a Rachmaninov fan, but this performance by Galina Vishnevskaya in her considerable prime always gives me the chills.
The Talk of the Town
A favorite art song performance from Rowna Sutin
A favorite art song performance from Rowna Sutin
With youthful abandon, Ms. Feola interprets an old chestnut.
With youthful abandon, Ms. Feola interprets an old chestnut.
The Talk of the Town
A favorite art song performance from Andrew Lokay
A favorite art song performance from Andrew Lokay
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
From the Vienna State Opera, featuring Olga Borodina in the title role.
Today is Mozart’s 266th birthday and I had already planned a Trove Thursday celebration when I learned that Maria Ewing had died on January 9.
In the last weeks of January, as the Metropolitan Opera season wound to a close (prior to the winter hiatus) two striking sopranos were thrust into the limelight.
On this day in 1961: the historic Metropolitan Opera debuts of Leontyne Price and Franco Corelli in Verdi’s Il trovatore.
Born on this day in 1923 actress and singer Anne Jeffreys.
So that there’s no confusion: the Long Day’s Journey into Night seen here is contemporary, political, brutal, and universal.
Only time can tell if some performances enter the collective opera memory, if such a thing even exists, as “historical”
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