Everything sacred
Wrapping up Diva November, Chris’s Cache offers two sacred works that couldn’t be more unalike.
Wrapping up Diva November, Chris’s Cache offers two sacred works that couldn’t be more unalike.
On this day in 1937 the Metropolitan Opera opened its season with Tristan und Isolde.
“Opera needs a reset. We think there needs to be a fundamental shift in the ecology.”
On this day in 1942 the Metropolitan Opera presented a new production of Lucia di Lammermoor.
On this day in 1906 a 24-year-old soprano named Geraldine Farrar made her Metropolitan Opera debut on the opening night of the season in Roméo et Juliette.
Rossini’s comic opera, recorded November 16 at the Theater an der Wien.
Show business fables often involve an ambitious, if naïve, ingenue (male or female) desperate for fame. This young wannabe finds fame and fortune: but it comes at a cost.
Soprano Lydia Grindatto confirmed the fine impression she had made at Giargiari vocal competition with a charismatic, thoroughly inhabited performance that showed careful preparation in every aspect.
On this day in 1885, soprano Lilli Lehmann made her Metropolitan Opera debut in the title role of Carmen (in German, of course.)
On this day in 2000 soprano Nina Stemme made her Metropolitan Opera debut as Senta.
The film of The Hours failed to effectively weave together the novel’s trio of threads of interiority about suicide and secondarily literary creation. I wondered if an opera would stand a better chance at achieving that? Based on Tuesday’s diva-encrusted stage premiere of Kevin Puts and Greg Pierce’s The Hours, its creators didn’t pull it off either.
On this day in 1940 the Metropolitan Opera opened its season with La Fille du Régiment, starring Lily Pons and featuring the “Casablanca” finale!
The world premiere of Kevin Puts‘ new opera opens at the Met tonight.
On this day in 1965 Montserrat Caballé and Sherrill Milnes made their Metropolitan Opera debuts in Faust.
No one who followed Trove Thursday will be surprised that Diva November on Chris’s Cache today features Ann Hallenberg and Sandrine Piau.
Lyric Opera of Chicago’s Don Carlos was a real feast of good singing and orchestral grandeur.
I have a horrible confession. I’ve always judged the quality of an opera largely on the number of dead characters at the finale.
All things were, indeed, made new again, when Boston’s venerable Handel & Haydn Society brought Mozart’s Le nozze di Figaro to the stage, their first time doing so in its entirety, as their 2,576th concert on Thursday.
On this day in 1967 Herbert von Karajan bowed at the Metropolitan Opera in a new production of Die Walküre which he directed and conducted.
On this day in 1953 the Metropolitan Opera presented a performance of Le nozze di Figaro featuring the debuts of Irmgard Seefried and Lisa Della Casa.
There are no words superlative enough to describe this celebration of Orpheus’ grief, and I truly applaud San Francisco Opera for presenting such food for thought that will definitely resonate long after with me.
A recording of a live performance of Wagner’s music drama from Seattle Opera.
On this day in 1992 the Metropolitan Opera presented a new production of Lucia di Lammermoor directed by Francesca Zambello (not pictured.)
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.