Wunderkind
On this day in 1955 Thomas Schippers made his Metropolitan Opera debut conducting a double bill of the ballet Soirée and Don Pasquale.
On this day in 1955 Thomas Schippers made his Metropolitan Opera debut conducting a double bill of the ballet Soirée and Don Pasquale.
Coming soon: an opera adaptation of the cult film Plan 9 from Outer Space.
On this day in 1984 Jochen Kowalski made his Metropolitan Opera debut as Prince Orlofsky.
Michelle Bradley takes the title role in this live performance from the Met.
On this day in 1936 the Metropolitan Opera opened its season with a revival of Die Walküre featuring the debut of contralto Kerstin Thorborg.
On this day in 1950 the Metropolitan Opera presented a new production of Die Fledermaus.
Do you ever wonder how easy it is to invent a Christmas tradition?
On this date in 1991 the Metropolitan Opera presented the world premiere of John Corigliano‘s The Ghosts of Versailles.
On this day in 1900 the Metropolitan Opera opened its season with a revival of Roméo et Juliette.
Mezzo Anita Rachvelishvili has canceled all her remaining Met performances of Aida due to illness.
Luca Salsi, Lisette Oropesa and Stephen Costello star in this live broadcast.
On this day in 1883 soprano Marcella Sembrich, then in her debut season at the Metropolitan Opera, sang La sonnambula.
That Some Like It Hot—this season’s high budget and high-profile Broadway musical—fizzles rather than sizzles is not only a disappointment, but also a bit of surprise.
On this day in 1977 Maria Chiara made her Metropolitan Opera debut as Violetta.
BREAKING: The Metropolitan Opera’s website is back online!
If you already know the answer to this one, keep it under your hat!
In a lovingly curated program of art songs, Ying Fang and the pianist Myra Huang presented pieces hailing from four different national traditions.
On this day in 1981 “the Zeffirelli Bohème” opened at the Metropolitan Opera.
A main theme in Becky Nurse of Salem is how history is distorted by those who get to tell it.
On this day in 1979 mezzo Agnes Baltsa made her Metropolitan Opera debut as Octavian.
Perhaps the quirkiest of Mahler’s nine symphonies, the Fourth fits nicely with Yannick Nézet-Séguin’s somewhat idiosyncratic style.
A double bill (with a choral intermezzo) that just finished four nights’ run at the Manhattan School of Music is a delight, musically whimsical and reminiscent, wittily and colorfully staged.
On this day in 1920 Ravel’s La Valse premiered in Paris.
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