Fedora

Fedora / Deutsche Oper Berlin

Vida Miknevičiūtė and Jonathan Tetelman star in a live broadcast from the Deutsche Oper Berlin

Streamed November 27, 2025 at 1:00 PM
Lohengrin

Lohengrin / Teatro dell'Opera di Roma

Michele Mariotti conducts Dmitry Korchak, Jennifer Holloway, mas Tómasson, and Ekaterina Gubanova in a live, season-opening broadcast from Rome

Streamed November 27, 2025 at 12:15 PM
Monkey business Monkey business

The Monkey King at San Francisco Opera combines spectacle and sentiment.

Oceanic feeling Oceanic feeling

Grand Tier Grab Bag features a complete performance of Ernest Chausson‘s Poème de l’amour et de la mer ahead of a particular year for both its soloist and conductor.

I’m still thinking about Martin Kusej’s <em>Rusalka</em> I’m still thinking about Martin Kusej’s <em>Rusalka</em>

The production is based on the Elisabeth Fritzl story, and it really made me reconsider this opera’s fairy tale storyline.

Everything the light touches Everything the light touches

Vincent Lombardo pays poetic tribute to the 60-year-long career of Robert Wilson.

Hear, O Israel Hear, O Israel

As Messiah season begins, Christopher Corwin reports on two of Handel’s forays into the Old Testament.

Andrea Chénier

Andrea Chénier / Metropolitan Opera

Umberto Giordano‘s verismo opera in a live broadcast from New York

Streamed November 24, 2025 at 7:25 PM
I’m getting married in the morning I’m getting married in the morning

Washington National Opera presented a well-sung and humorous Marriage of Figaro, buoyed by clever direction and a strong cast, particularly Rosa Feola’s Countess and Joélle Harvey’s Susanna.

Medieval Times Medieval Times

Carl Orff’s cantata tries its fortunes at the Lyric Opera of Chicago.

I’m still thinking about Peter Sellars’s <em>Così fan tutte</em> I’m still thinking about Peter Sellars’s <em>Così fan tutte</em>

I never thought an opera production could be this well done.

Boris Godunov

Boris Godunov / Opéra de Lyon

Dmitry Ulyanov sings the title role in a performance recorded last month at the Opéra de Lyon

Streamed November 22, 2025 at 2:00 PM
Wozzeck

Wozzeck / Symphonieorchester des Bayerischen Rundfunks

Simon Rattle conducts performance recorded in Munich last month with Christian Gerhaher and Malin Byström

Streamed November 22, 2025 at 1:00 PM
We’re still thinking about Robert Carsen’s <em>Mefistofele</em> We’re still thinking about Robert Carsen’s <em>Mefistofele</em>

Les Camilles both agree on this one. And WHY? You ask??!

La fiamma è bella! La fiamma è bella!

A new recording of La fiamma from Deutsche Oper Berlin sets Respighi’s score ablaze.

Celebrate good times Celebrate good times

Austin Opera’s 40th anniversary gala celebrated the present while gesturing boldly towards the future.

La clemenza di Tito

La clemenza di Tito / Teatro la Fenice

Ivor Bolton conducts Daniel Behle, Anastasia Bartoli, and Cecilia Molinari in a live broadcast from Venice

Streamed November 20, 2025 at 1:00 PM
Pride in your work Pride in your work

Pittsburgh Opera’s Fellow Travelers delivers a timely story with detail and care.

<em>Blue</em> it <em>Blue</em> it

Jeanine Tesori’s Blue is an ambitious and worthy opera that deserves a better presentation than it got at Lincoln Center on Saturday.

I’m still thinking about Krzysztof Warlikowski’s <em>Lulu</em> I’m still thinking about Krzysztof Warlikowski’s <em>Lulu</em>

Barbara Hannigan‘s Lulu is the greatest live performance I’ve seen.

Alien encounter Alien encounter

“Protect the dolls, they say, but who really cares for them?” This question, posed by performer Mara Snip during the postlude of Neuköllner Oper’s 1000 Airplanes on the Roof, had a clear answer: Aliens.

Closer to fine Closer to fine

Grand Tier Grab Bag looks forward to a big week for Umberto Giordano by sharing Sondra Radvanovsky and Gregory Kunde performing the final duet from Andrea Chénier.

Scarcity mindset Scarcity mindset

Michael Thalmeier‘s Tristan und Isolde in Berlin asks, how much minimalism is too much minimalism?

I’m still thinking about Hans Neuenfels’s <em>Lohengrin</em> I’m still thinking about Hans Neuenfels’s <em>Lohengrin</em>

Who are the rats? Why are their tails getting longer? Is Lohengrin a rat trying to free himself from a maze?