Recent Stories
“I’ve never laughed so much nor been so moved by a Zauberflöte until Simon McBurney’s where even its Busby Berkeley-flavored finale brought tears to my eyes.”
On this day in 1979 Sweeney Todd: The Demon Barber of Fleet Street won the Tony Award for “Best Musical.”
Renée Fleming arrived at Carnegie Hall on May 31 with something to prove.
Once again, La Cieca thanks you for your concern and patience during May 2023.
On this day in 1975 the Metropolitan Opera performed La bohème on tour in Tokyo.
In French opera—until Pelleas et Mélisande anyway—there is always a great deal of dance; often, dance rather than song is the main event.
All the rams that chase the ewe sheep are determined there’ll be new sheep and the ewe-sheep aren’t even keeping score.
This Holländer offers neither a clear narrative vision for the work nor a sense of turbocharged drama; it simply sits on the Met’s cavernous stage as a dull gray mass.
Grand Tier Grab Bag
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Out of sheer morbid curiosity last evening I pulled up the “orders” page of my Amazon account and searched Otello to discover that over the past 11 years. I’ve ordered 15 items with that title (one as recently as last night!)
On this day in 1969 the musical Dear World closed at the Mark Hellinger Theater after an extremely disappointing run of only 132 performances.
Tomasz Konieczny stars as the accursed Dutchman in Wagner’s haunting ghost story.
In the five short years that I’ve been in New York, I have seen that crusty old Franco Zeffirelli production of La bohème more times than I can count on one hand. And there are certainly times when that peeling mise-en-scène really shows its age.
Christa Ludwig sings Kundry in Parsifal with Helge Brilioth, Thomas Stewart and Cesare Siepi conducted by Leopold Ludwig, followed by a legendary Birgit Nilsson–Jon Vickers Tristan und Isolde led by Erich Leinsdorf.
Born on this day in 1899 film producer Irving Thalberg.
On this day in 1962 Barbra Streisand appeared on The Garry Moore Show.
On this day in 1940, Irving Berlin‘s musical Louisiana Purchase, satirizing Huey Long, opened at the Imperial Theatre, to run 444 performances.
Talk of the Town
A favorite art song performance from Rowna Sutin
With youthful abandon, Ms. Feola interprets an old chestnut.
With youthful abandon, Ms. Feola interprets an old chestnut.
A favorite art song performance from Andrew Lokay
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
A favorite art song performance from Jamie Barton
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
A favorite art song performance from Leyla Gender-Bender
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
A favorite art song performance from Erika Baikoff
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
A favorite art song performance from Last Castrato
Rosa Ponselle is the singer who had it all.
Rosa Ponselle is the singer who had it all.
The wicked poisoner showed herself in fine form, full of purple passion and lusty music-making that would gladden the heart of any bel canto enthusiast or opera lover in general.
Broadway floperetta Arms and the Girl closed on this day in 1950, lasting only 134 performances despite a cast headed by Nanette Fabray and Pearl Bailey.
On this day in 1964 Betty Comden & Adolph Green and Jule Styne‘s musical Fade Out-Fade In opened at the Mark Hellinger Theater to run 271 performances.
“Following her sublime Met debut two weeks ago leading Don Giovanni, Nathalie Stutzmann once again led a fleet and transparent reading full of ravishing detail.”
The opera took place on an actual boat: the Lightship Ambrose in the South Street Seaport.
Born on this day in 1929 soprano and administrator Beverly Sills.
Simon McBurney’s Die Zauberflöte, the second new production of the Met’s May Mozart Miracle, opened on Friday to rousing near-unanimous cheers.