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According to the MGM press office, today is the 100th anniversary of the birth of Judy Garland.
On this day in 1995 Wigstock The Movie premiered in the United States.
On this day in 452 AD, Attila the Hun invaded Italy.
Opera house versions of Sondheim’s Sweeney Todd featuring Bryn Terfel / Judith Christin and Thomas Allen / Felicity Palmer.
On this day in 1981 42nd Street won the Tony Awards for “Best Musical” and “Best Choreography.”
Richard Strauss’ monumental (arguably his magnum opus) Die Frau ohne Schatten made a triumphant return to the War Memorial Opera House last Sunday June 4 after 34 years.
Lyric Opera of Chicago has brought back its wildly successful 2019 production of West Side Story, directed by Francesca Zambello. I thought it was terrific back then and, even with numerous cast changes, it was just as terrific on Sunday afternoon.
Grand Tier Grab Bag
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
On this day in 1975 Joan Sutherland sang La traviata during the Metropolitan Opera’s tour in Tokyo.
Although somewhat flawed, Days of Wine and Roses draws from the same musical language that made Piazza so instantly distinctive, and it features a specificity that I noticed in Adam Guettel’s earlier breakthrough work, Floyd Collins.
On this day in 1971 Grace Bumbry made her role debut as Tosca as part of the Metropolitan Opera Summer Festival.
On this day in 1967 Barbara Bain won the Emmy Award for “Outstanding Continued Performance by an Actress in a Leading Role in a Dramatic Series” for Mission: Impossible.
“I’ve never laughed so much nor been so moved by a Zauberflöte until Simon McBurney’s where even its Busby Berkeley-flavored finale brought tears to my eyes.”
On this day in 1979 Sweeney Todd: The Demon Barber of Fleet Street won the Tony Award for “Best Musical.”
Renée Fleming arrived at Carnegie Hall on May 31 with something to prove.
Once again, La Cieca thanks you for your concern and patience during May 2023.
Talk of the Town
A favorite Verdi performance from Leyla Gender-Bender
Stiffelio has always been the dark horse of early Verdi operas.
Stiffelio has always been the dark horse of early Verdi operas.
A favorite Verdi performance from Lou Ann Darras
I have very few opportunities to see real-life opera divas, but when Natalie Dessay chose to debut her first Traviata at Santa Fe, there was no way I was going to miss it.
I have very few opportunities to see real-life opera divas, but when Natalie Dessay chose to debut her first Traviata at Santa Fe, there was no way I was going to miss it.
A favorite Verdi performance from Astyanax
The air held a real charge that night in SF’s War Memorial Opera House.
The air held a real charge that night in SF’s War Memorial Opera House.
A favorite Verdi performance from Ivy Lin
This is one of those rare performances that makes you believe that everything Verdi was greater Way Back When.
This is one of those rare performances that makes you believe that everything Verdi was greater Way Back When.
A favorite Verdi performance from Mister Snow
Nothing prepared me for the Soviero experience
Nothing prepared me for the Soviero experience
A favorite Verdi performance from Tildy Diva
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
On this day in 1975 the Metropolitan Opera performed La bohème on tour in Tokyo.
In French opera—until Pelleas et Mélisande anyway—there is always a great deal of dance; often, dance rather than song is the main event.
All the rams that chase the ewe sheep are determined there’ll be new sheep and the ewe-sheep aren’t even keeping score.
This Holländer offers neither a clear narrative vision for the work nor a sense of turbocharged drama; it simply sits on the Met’s cavernous stage as a dull gray mass.
Out of sheer morbid curiosity last evening I pulled up the “orders” page of my Amazon account and searched Otello to discover that over the past 11 years. I’ve ordered 15 items with that title (one as recently as last night!)
On this day in 1969 the musical Dear World closed at the Mark Hellinger Theater after an extremely disappointing run of only 132 performances.
Tomasz Konieczny stars as the accursed Dutchman in Wagner’s haunting ghost story.
In the five short years that I’ve been in New York, I have seen that crusty old Franco Zeffirelli production of La bohème more times than I can count on one hand. And there are certainly times when that peeling mise-en-scène really shows its age.
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