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The charismatic soprano has just canceled tomorrow afternoon’s performance of Tosca at the Met.
What do you see when you look at Into the Woods? Stephen Sondheim and James Lapine‘s musical might serve as a kind of theatrical Rorschach test.
From Stuttgart Opera, a performance from 2022.
On this day in 1975 Rossini’s Siege of Corinth had its American stage premiere at the Metropolitan Opera, with Beverly Sills making her official Met debut.
On this day in 1996 the Metropolitan Opera presented a new production of Andrea Chénier.
I wish more sopranos programmed recitals like Fatma Said does.
Today Chris’s Cache offers Angela Meade in Les vêpres siciliennes, along with a complementary I vespri siciliani starring Carol Vaness, another favorite American soprano.
Born on this day in 1908 actress Bette Davis.
Grand Tier Grab Bag
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Otherwise occupied
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Northern star
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Tra voi belle
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
León in winter
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
“The current Met revival, while not perfect, has much to feel joyful and excited about.”
Welcome, beloveds, to the Jessye Norman Memorial Museum. I’ll be the docent for your tour today.
On this day in 2013 the Metropolitan Opera presented a new production of Handel’s Giulio Cesare.
On this day in 1975 soprano Magda Olivero made her Metropolitan Opera debut as Tosca.
Sweeney Todd is by any measure a triumphant show, the kind that makes an audience understand why Broadway is American theater’s gold standard
On this day in 1962 Liza Minnelli made her off-Broadway debut in the musical Best Foot Forward.
In the biggest story of March 2023, awesome Angela Meade pulled off the Einspring of the Year, saving the Met’s performance of Norma.
Talk of the Town
A favorite bass performance from TildyDiva
The greatest bass performance I ever experienced was actually four – four performances in four roles.
The greatest bass performance I ever experienced was actually four – four performances in four roles.
A favorite bass performance from William Guanbo Su
This performance was introduced to me by Norman Treigle’s granddaughter —very fine mezzo-soprano Emily Treigle; while I was preparing the role of Olin Blitch, and it completely changed my understanding of the character.
This performance was introduced to me by Norman Treigle’s granddaughter —very fine mezzo-soprano Emily Treigle; while I was preparing the role of Olin Blitch, and it completely changed my understanding of the character.
A favorite bass performance from H_Badger
The Met in HD proved to be a major gateway drug for me, showing me my first Don Carlo in 2010.
The Met in HD proved to be a major gateway drug for me, showing me my first Don Carlo in 2010.
A favorite bass performance from Eli Jacobson
This bass aria “Sous les pieds d’une femme” from Gounod’s La Reine du Saba used to be a concert favorite
This bass aria “Sous les pieds d’une femme” from Gounod’s La Reine du Saba used to be a concert favorite
A favorite bass performance from La Grunowa
Tancredi Pasero is so noble in mien and rich-voiced here, a perfect complement to Caniglia’s earthy Leonora who honestly charts the movement from despair to fervent, transcendent faith in this duet.
Tancredi Pasero is so noble in mien and rich-voiced here, a perfect complement to Caniglia’s earthy Leonora who honestly charts the movement from despair to fervent, transcendent faith in this duet.
A favorite bass performance from Cornelia
I don’t know if I’ll ever hear as great a performance as René Pape‘s Gurnemanz.
I don’t know if I’ll ever hear as great a performance as René Pape‘s Gurnemanz.
Happy April Fools’ Day!
Chris’s Cache ends March with Berlioz’s exquisite Shakespeare adaptation Béatrice et Bénédict because it’s just the best thing to listen to on a spring day.
On this day in 1994 the already legendary Mirella Freni brought her interpretation of Adriana Lecouvreur to the Metropolitan Opera.
This was by far my most satisfying experience with Pelléas et Mélisande for a multitude of reasons and I encourage anyone who’s even mildly curious to find their way to the Music Center for a very rich experience.
Unfortunately, LOC’s Proximity works only fitfully.
On this day in 1946 Harold Arlen and Johnny Mercer‘s musical St. Louis Woman opened at Martin Beck Theater.
Here’s an update for those keeping up with the Lohengrin casting sweepstakes at the Met.
In Boston Lyric Opera’s production of Bartók’s Bluebeard’s Castle, which closed on Sunday after a nearly sold-out run—there are no doors.