Queer
Matthew Aucoin’s Crossing depicts Walt Whitman’s experience serving wounded soldiers in a DC infirmary and chronicles the period’s tragic effects.
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Published in 1975, James McCourt’s novel Mawrdew Czgowchwz is engaged with a longing for the divine.
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Yannick Nézet-Séguin leads an epic Wagner opera concert
Yannick leads The Philadelphia Orchestra, superstars Nina Stemme and Stuart Skelton, and world-class singers in a rare concert performance that reveals every detail and nuance of this richly harmonic score. Experience the passion and cold-hearted revenge of this scandalous opera. Get tickets now!
What the hell is Three Way doing on a list of 7 American Operas That Put LGBTQ Issues Center Stage?
I am, perhaps instinctively, skeptical of those who commit suicide.
Much like Wagner’s Tristan und Isolde, which launched the Met’s 2016-2017 season, Kaija Saariaho’s L’Amour de Loin is an opera about love and death.
The centerpiece of Janácek’s Jenufa was the performance of Karita Mattila as the murderous Kostelnicka.
The opera Patience and Sarah is a fantastic example of radical creativity.
Cincinnati Opera presented the world premiere Fellow Travelers Friday and I’m here to tell you that not only does the opera have legs, it has balls.
I have always wanted to see a production of Strauss’ Elektra that made my ears bleed.
What is an Orphic moment? A song so sweet that even Hades must release the dead back to the living?
An astute double-feature exposes all the complexities of female suffering embedded within two canonical works.
On this day in 1993, the first issue of parterre box, the queer opera zine was published.
The winds of change sweep across the first post-9/11 issue of parterre box, the queer opera zine.
In issue #46 of parterre box the queer opera zine (“Spunk”), you will find an endorsement by the legendary Astrid Varnay.
Devotees of Dawn Fatale (and you are legion!) will be delighted to hear that the parterre scribe made an early (2001!) appearance in issue #45 of parterre box, the queer opera zine, ranting about the “squish-squish school of opera direction.”
In a slight detour from the usual all-opera-all-the-time format of parterre box, the queer opera zine, issue #44 centers on Ben Letzler‘s superb appreciation of film and cabaret diva Zarah Leander.
Issue #43 of parterre box, the queer opera zine is called “Marc Two” in honor of dramatic soprano Alessandra Marc, subject of an interview with Our Own JJ.
With issue #42a, “City of Dreams,” parterre box the queer opera zine returns at least temporarily to a rational numbering system.
Before you ask, cher public, there is no Issue #41 of parterre box, the queer opera zine, or, rather, this issue, #42 is the 41st.
In Issue #40 of parterre box, the queer opera zine, Our Own JJ nabs lengthy interviews with critic John Ardoin and tenor Richard Leech.
Oddly enough, Eva Marton‘s interpretation of the Kostelnicka (pictured) goes unmentioned in Issue #38.
The celebrated “lost” issue of parterre box, the queer opera zine (now found, thanks to the avid cataloging of Indiana Loiterer III.)
As the celebrations for the 20th anniversary of parterre box continue, La Cieca (left) introduces a new feature: each week, a vintage issue of parterre box, the queer opera zine, scanned into PDF format for handy download!
Yes, you’ve heard it already, but you might as well have an official place to talk about it: Marina Poplavskaya goes on tonight in Les Vêpres siciliennes at the Royal Opera House.
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Pick a little, talk a little
Following the successful launch of the new regular feature The Talk of the Town in January, the team at the box is inviting contributions for a new quarter of operatic potpourri.
