Christopher Corwin
Christopher Corwin began writing for parterre box in 2011 under the pen name “DeCaffarrelli.” His work has also appeared in , The New York Times, Musical America, The Observer, San Francisco Classical Voice and BAMNotes. Like many, he came to opera via the Saturday Met Opera broadcasts which he began listening to at age 11. His particular enthusiasm is 17th and 18th century opera. Since 2015 he has curated the weekly podcast Trove Thursday on parterre box presenting live recordings.
This showcase concert gave notice that countertenor Hugh Cutting is among the most promising artists of his generation.
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Today’s Chris’s Cache features live recordings of Otello most noteworthy for their Desdemonas: (in chronological order) Teresa Stratas, Julia Varady, Eva Marton and Karita Mattila.
Opera house versions of Sondheim’s Sweeney Todd featuring Bryn Terfel / Judith Christin and Thomas Allen / Felicity Palmer.
Christa Ludwig sings Kundry in Parsifal with Helge Brilioth, Thomas Stewart and Cesare Siepi conducted by Leopold Ludwig, followed by a legendary Birgit Nilsson–Jon Vickers Tristan und Isolde led by Erich Leinsdorf.
Simon McBurney’s Die Zauberflöte, the second new production of the Met’s May Mozart Miracle, opened on Friday to rousing near-unanimous cheers.
JJ//La Cieca crave your indulgence as they address some ongoing health challenges.
After attending three Met Lohengrins I’ve gone into Wagner withdrawal waiting for the upcoming Der Fliegende Holländer.
If April is the cruelest month, it may be that spring’s arrival brings far too many things to do and see.
While Charles III’s coronation (with Harry but without Meghan and Fergie) commences in London on Saturday, the party started early last month at Carnegie Hall when the Orchestra of St. Luke’s joined by La Chappelle de Québec performed Handel’s gloriously celebratory Coronation Anthems which were composed for a 1727 crowning.
This review attempts to capture my ecstatic reactions to Contra-Tenor, one of the greatest recordings I’ve ever heard.
Eagerly awaiting Met May Mozart Madness, Chris’s Cache presents a starry quintet of the master’s operas not being done next month.
Today Chris’s Cache offers Angela Meade in Les vêpres siciliennes, along with a complementary I vespri siciliani starring Carol Vaness, another favorite American soprano.
Chris’s Cache ends March with Berlioz’s exquisite Shakespeare adaptation Béatrice et Bénédict because it’s just the best thing to listen to on a spring day.
In Richard Strauss’s Arabella, the heroine is consumed with finding the right man—der Richtige—but who is the right Arabella?
The English Concert’s annual Handel tour brings Solomon conducted by Harry Bicket to the US beginning Sunday March 5. In anticipation, Chris’s Cache offers Solomon plus four other oratorios by the master: Belshazzar, Hercules, Saul and Jephtha, all via broadcasts for which I feel a personal connection.
On the train ride home I was thinking that I don’t want to see or hear Norma ever again.
A stack of noteworthy recent baroque vocal CDs on my desk has been staring at me for weeks, so I’m tackling them on Handel’s birthday before the Met roars back into action beginning this weekend.
On Saturday at Alice Tully Hall, Julliard 415, the school’s top-flight period-instrument ensemble, was joined by students from the Marcus Institute for Vocal Arts and Juilliard Drama for a rare semi-staging of King Arthur.
Chris’s Cache sends Renata Scotto a valentine ahead of her 89th birthday next week with rare in-house recordings of eight (!) mid-career performances spanning 1971-1977.
Chris’s Cache offers a pride of short early English works: John Blow’s Venus and Adonis (1683); Purcell’s King Arthur (1691) and The Indian Queen (1695); John Eccles’s The Judgement of Paris (1700); William Boyce’s Solomon (1743); and John Stanley’s Arcadia (1762).
Anticipating Leontyne Price’s 96th birthday on February 10, Chris’s Cache presents the American diva in an epic collection of live performances.
What happens when you attend a performance and it doesn’t engage you?
A week from tonight Franz Welser-Möst brings the Cleveland Orchestra and Chorus to Carnegie Hall for a rare performance of Schubert’s Mass No. 6 in E-flat Major, D 950.
We constantly wonder whether the young man will embrace him—or slit his throat.
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