Search results for: "barbara hannigan"
Davóne Tines has sung with Early Music groups and avant-garde ones, and he has a taste for projects that cross artistic boundaries, which suits an innate showmanship.
Barbara Hannigan sings Poulenc’s monodrama led by Esa-Pekka Salonen.
From the Bayerische Staatsoper, a telecast of Hans Abrahamsen‘s The Snow Queen featuring Barbara Hannigan.
Fire up your calendars, cher public! The quintet of parterre box scribes who will be reviewing New York area performance are ready to share with you their choices for Must See Opera in the fall of 2019!
The year 2020 marks the first staged performances of Turandot on Anna Netrebko‘s schedule. She introduces her complete interpretation at the Bayerische Staatsoper January 28 and 31 and February 3.
Why do we go to the opera? Because the world needs a reminder of the power of forgiveness, particularly in these dark and gloomy times!
There was a lot expectation about the new opera by George Benjamin and Martin Crimp. Their previous collaboration, Written on Skin, was an enormous critical and public success, earning the work a place in the exclusive club of 21th century classics with selected works by Saariaho, Heggie and Birtwistle.
Finally an announcement to get the heart pumping: the Paris Opera’s 2018-2019 season offers no fewer than 11 new productions!
Before this recording arrived in my mailbox, I: ( a) didn’t know there was an operatic version of Wilde’s The Importance of Being Earnest, one of my favorite plays; and (b) was unfamiliar with the works of composer Gerald Berry. After several hearings, I’m still not convinced that there is an operatic version of Earnest.…
Paris can be a lot to handle, but this week it was a lot to Handel.
George Benjamin’s 2012 opera Written on Skin received great acclaim at its opening at the Festival d’Aix-en-Provence, and the Royal Opera quickly mounted it in March 2013.
Another season opens this weekend, the much-admired series of livestreams from the Bayerische Staatsoper.
It took about 30 minutes for me to grow restless watching the world premiere video of Gyorgi Ligeti’s Le Grand Macabre from Gran Teatre del Liceu.
Look, this is a very special piece of music for me. You were twenty once, right? You were self-righteous. You had your musical heroes, and your mind was being remolded every fifteen minutes or so by a rapid succession of new experiences that challenged your notions of what music could do.