In Bayreuth, a confident Magnus Vigilius and luminous Jennifer Holloway attempt to elevate Wagner’s populist Rienzi.
Based on exactly one recording, Maurice Abravanel is my favorite opera conductor.
I think Patanè did far more than just hold it together: he did full honor to Verdi.
Verdi’s Stiffelio goes Amish in Vienna, featuring a stellar Luciano Ganci in the title role.
Lise Davidsen, Michael Spyres, and Yannick Nézet-Séguin are astonishing in Tristan und Isolde at the Met, while Yuval Sharon‘s new production is anything but.
Ahead of their opening in Don Carlo in Dallas tonight, Christopher Corwin chats with Nicole Car and Étienne Dupuis — and offers a special edition of Chris’s Cache!
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Les Arts Florissants present two ravishing programs in Brooklyn and Manhattan.
Michael Thalmeier‘s Tristan und Isolde in Berlin asks, how much minimalism is too much minimalism?
Who are the rats? Why are their tails getting longer? Is Lohengrin a rat trying to free himself from a maze?
A new production of Parsifal at San Francisco Opera stirred something deep inside Michael Anthonio about how music soothes the soul
I take such comfort in the assumption that someone or something will save us from injustice and the lust for power.
Richard Lynn bravely asks what we’re hoping to get out of the continued Peter Gelb-bashing — and whether our expectations of him have ever been fair
Valentin Schwarz‘s and Simone Young‘s Ring, in its final outing at Bayreuth, is dramaturgically messy and musically excellent.
Rita Gorr as Ortrud, Bayreuth, 1959, Cluytens.
In Lohengrin, populism comes to an apocalyptic end on the Bavarian stage
The groundbreaking director and designer of works like Einstein on the Beach died earlier today at his home in Water Mill, New York
Opera Director and Detroit Opera Artistic Director Yuval Sharon begins his recent book A New Philosophy of Opera by imagining a future – some forty to fifty years from now – in which opera ceases to exist as an art form.
The German Heldentenor died yesterday at his home in Austria.
As this is “Donizetti Month” here on parterre box, Chris’s Cache offers the recently deceased Paul Plishka and Opera Orchestra of New York with Carol Vaness in Anna Bolena and with Mariella Devia in the rarely heard Adelia.
This performance of Mahler’s Symphony N°8 at the Bozar in Brussels will probably be my last ever Mahler concert.
Washington National Opera rounded out its season opening weekend with a one-night-only performance entitled “Gods & Mortals: A Celebration of Wagner” the evening after the premiere of its new production of Fidelio.
Sparks flew when the San Francisco Opera opened their new production of Richard Wagner’s monumental Tristan und Isolde on Saturday, October 19th, at the War Memorial Opera House.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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