Hercules conquers Carnegie Hercules conquers Carnegie

William Guanbo Su and Ann Hallenberg are compelling in The English Concert’s presentation of Handel‘s Hercules at Carnegie Hall.

Paris is always a good idea Paris is always a good idea

Though perhaps showing its age, a storied production of La bohème nonetheless makes a welcome return to the Los Angeles Opera

Now you Caesar, now you don’t Now you Caesar, now you don’t

Before stopping at Carnegie Hall this weekend, The English Concert returned to the Bay Area last week with a fiery performance of Giulio Cesare

Aged in oak Aged in oak

When the birthdays start to pile up in the double digits in big round numbers, you start to examine your past and review what you have done with your life.

Garden party Garden party

Two of France’s leading Early Music ensembles recently visited New York City to perform music by some of the 17th century’s leading composers.

Sacred raptures cheer my breast Sacred raptures cheer my breast

The English Concert’s annual Handel tour brings Solomon conducted by Harry Bicket to the US beginning Sunday March 5. In anticipation, Chris’s Cache offers Solomon plus four other oratorios by the master:  Belshazzar, Hercules, Saul and Jephtha, all via broadcasts for which I feel a personal connection.

Festal joy triumphant Festal joy triumphant

The July-August timeframe in the San Francisco Bay Area is always exciting time in terms of opera.

Shining through Shining through

Trove Thursday celebrates Christa Ludwig with live excerpts from 1955 through 1982.

I, Franco I, Franco

Franco Corelli was born on April 8, 1921 in Ancona and Trove Thursday celebrates the matinee-idol tenor’s centenary with a pair of his rare non-Met US appearances; seducing Marie Collier in La Fanciulla del West and vacillating between Ilva Ligabue and Grace Bumbry in Il Trovatore.

High ‘Society’ High ‘Society’

Off-and-on since last fall my PPP (Personal Pandemic Project) has been assembling a chronology of the American Opera Society. For 19 years beginning in 1951 it presented a remarkable series of concert performances of works unperformed by either the Met or New York City Opera.

Old-Fashioned Oratorio Old-Fashioned Oratorio

For the fourth annual edition of “Handel for my birthday” Trove Thursday serves up three heaping portions of “old-fashioned oratorio.”

Castles made of sand Castles made of sand

Jakub Józef Orlinski‘s “Stille amare” packed a lot of punch in terms of dramatic intensity.

Thus let few thanks be paid Thus let few thanks be paid

Kudos to Opera Philadelphia for programming Handel’s Semele in its exceptionally interesting and wide-ranging Festival 2019; unfortunately, despite an extraordinary cast, James Darrah’s drably dull production doomed it.

Drunk in both head and heart Drunk in both head and heart

This week’s “Trove Thursday” offers Benjamin Britten’s Death in Venice featuring Anthony Rolfe Johnson.

Their sound is gone out into all lands Their sound is gone out into all lands

“Trove Maundy Thursday” offers a recent un-HIP version of Handel’s Messiah.

Sunset, Sunrise Sunset, Sunrise

This Sunday marks the 10th anniversary of the death of Lorraine Hunt Lieberson from breast cancer.

Mortal purpose Mortal purpose

The advance publicity about Zhang Huan’s production of Handel’s luscious Semele currently having its US premiere at the Brooklyn Academy of Music prominently featured a provocative claim.

Saxon violence Saxon violence

His shaved head in striking contrast to his dark beard and glinting eyes, the implacable Tartar conqueror glowers at us from the CD cover, while the uncropped photo of countertenor Xavier Sabata (above) is even more disturbing, featuring his raised fist and forearm tightly wrapped in a leather belt.

In witch we serve In witch we serve

Sunday afternoon’s intermittently involving concert performance of Handel’s Alcina at Carnegie Hall starred an unusually intense Joyce DiDonato as a powerful sorceress blinded by her romantic delusions.

Dancing with the star Dancing with the star

After listening to “Stella di Napoli,” her mightily impressive new CD of rare bel canto arias just released by Erato, I felt many of the old sparks reigniting.

Partial eclipse Partial eclipse

We must be doubly grateful that The English Concert’s recent Theodora was so quickly followed by the American Classical Orchestra’s fine Samson on Tuesday evening at Alice Tully Hall.

Deeds of kindness to review Deeds of kindness to review

For decades thousands and thousands have attended Handel’s Messiah (usually around Christmas or more appropriately near Easter) making it easily one of the most widely known works of classical music.

Thrace off Thrace off

Nearly 30 years after a Handel opera last played there, Carnegie Hall presented The English Concert opening a three-year opera-oratorio project on Sunday afternoon with Radamisto.

An embarrassment of divas An embarrassment of divas

As if last week’s survey wasn’t enough, a few more recent diva-recital disks remain worthy of attention particularly since they arrive from five front-rank singers.