LOC’s Ernani is a satisfying evening of Verdi sung by four stars at the height of their powers.
By Henson Keys
17 comments
Sponsored
Reach your audience through parterre box!
parterre box, “the most essential blog in opera” (New York Times), is now booking display and sponsored content advertising for spring and summer 2023. Join Carnegie Hall, Lincoln Center, Warner Classics and many others in reaching your target audience through parterre box.
Lyric Opera of Chicago scored a smashing success on Sunday with its “Verdi Voices” concert, featuring soprano Tamara Wilson, tenor Russell Thomas, and Lyric Music Director Enrique Mazzola conducting Members of the Lyric Opera Orchestra in what might be termed a program of Verdi’s Greatest Hits.
By Henson Keys
Ludwig van Beethoven’s “rescue opera” Fidelio was presented by San Francisco Opera as their first new production of the season last Thursday in reinterpreted fashion.
A recent I Masnadieri with risen stars Lisette Oropesa and Russell Thomas.
By La Cieca
While Russell Thomas admirably goes toe to toe with Otello (and Otello) in a thoughtful and self-aware way, the assumption feels like a work in progress if not an outright mismatch with his vocal gifts.
By Harry Rose
Remember that time you went to the opera and the entire evening was perfection?
By Patrick Mack
Far be it from me to join the Schadenfreudian chorus of “Bye, Bye, Berti!” you may have been hearing in certain quarters, but the first thing I am duty-bound to report about San Francisco Opera’s Norma (of which three performances remain) is that they’ve hit the jackpot, coverwise.
By Greg Freed
