The upper depths The upper depths

The Teatro di San Carlo in Naples is a pearl itself and this presentation proffers some of the best that company has to offer.

Guilt and pleasure Guilt and pleasure

Ambivalent is how I feel about Cosí fan tutte.

One finger exercise One finger exercise

David Lang is, per The New Yorker, a “postminimalist enfant terrible.”

Cuts like a knife Cuts like a knife

You may wonder what Rachmaninoff’s Aleko and Leoncavallo’s Pagliacci have in common.

Bella come un tramonto Bella come un tramonto

With the performance of Dessì we move onto a different plane than the other singers.

Mighty real Mighty real

Anna Netrebko‘s artistry is both subtle and thrilling.

That’s how they did it That’s how they did it

Idomeneo proved enormously moving while a much more complicated Così fan Tutte went for shallow romantic hijinks stripping that work of its darkly ambiguous disturbing view of love.

Can’t buy me love Can’t buy me love

dell’ arte Opera Ensemble continued its exploration of love and money by mounting Massenet’s Manon

Wer ein solches Weib errungen Wer ein solches Weib errungen

Opera at Caramoor rallied Sunday afternoon with an admirable if erratic performance of Fidelio which was especially memorable for South African soprano Elza van den Heever’s thrilling first-ever Leonore.

Going Hollywood Going Hollywood

The Hollywood Bowl is truly the preeminent musical venue in Los Angeles.

A very little night music A very little night music

The unevenly-beating Heart unfortunately proved less than the sum of its deluxe parts.

When the sun comes out When the sun comes out

This year as part of Bard’s “Puccini and His World” festival audiences may witness the resurrection of Mascagni’s distinctly odd Iris.

Old west side story Old west side story

While composed within a European style, La Fanciulla del West is an opera that manages to present a distinctly American experience.

Opera Syria Opera Syria

“The music’s fun, but doesn’t Rossini repeat himself?”

Drunk in love Drunk in love

According to my taste, Die Fledermaus is an intoxicating opera

The singer’s art The singer’s art

Call me old fashioned, but when I go to the opera, I go to hear beautiful singing.

Mourning Wood Mourning Wood

Sometimes when you find the club that will have you as a member, you do not easily give up your spot.

Imagined possibilities Imagined possibilities

The opera Patience and Sarah is a fantastic example of radical creativity.

Ezio said than done Ezio said than done

Ezio was an inspired choice for Boston’s feisty Odyssey Opera to open its “When In Rome” festival.

No contest No contest

Richard Wagner viewed dance as an essential element of art, though he used it sparingly in his operas.

Think pink Think pink

LoftOpera offered an unusually satisfying, immensely entertaining production of Rossini’s scintillating portrait of an inveterate seducer.

There ought to be clowns There ought to be clowns

Have you ever had the unfortunate experience of listening to someone tell a joke badly?

Just a song at twilight Just a song at twilight

“Mr. Levine was conducting his beloved Wagner for what was almost certainly the last time.”

Incomplete mountain pass Incomplete mountain pass

The big news on Van Ness Avenue, it goes without saying, is Calixto Bieito’s operatic debut on these shores.