Patrice Chéreau‘s Elektra brims with ideas beyond its eschewing of the opera’s standard, hysterical trappings.
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Following the successful launch of the new regular feature The Talk of the Town in January, the team at the box is inviting contributions for a new quarter of operatic potpourri.
Patrice Chéreau, the humanist in provocateur’s clothing, returned to Wagner in 2007 at La Scala with Daniel Barenboim and Waltraud Meier.
After five flops in a row, Mr. McVicar continues to win new assignments from the Met.
None of my previous Elektra experiences prepared me for this stunning, overwhelming performance from the Festival d’Aix-en-Provence.
The celebrated opera director and filmmaker died today of lung cancer in Paris. He was 68.
The winners of the ninth annual F. Paul Driscoll Awards for Outstanding Achievement in the Field of Excellence (or, as they are colloquially known, the “Opera News Awards”) have been revealed.
When people talk about an opera “production,” they tend to mean “the sets and costumes,” that is, the physical production.
What seems to be the European opera event of the summer, Elektra from the Festival d’Aix-en-Provence, will be webcast just a little over 48 hours from now, starting at 2:00 PM EDT on Friday.
