It takes a lot from your commenters to surprise La Cieca, but this time she was frankly bowled over by the depth and breadth of your imagination.
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La Cieca thinks it would be fun for the cher public to play George Steel (or, given the difficulty of the task, Superman) and devise an upcoming season for NYCO.
“City Opera Management has passed on an offer from the unions representing its musicians and singers that could have saved the company some much-needed cash. The proposal would have required members of the New York City opera to perform for free in the 2011-2012 season.” [NY1]
The Man of Steel is in danger again, this time from a new gang of supervillains: Lila and DeWitt Wallace. [NYT]
La Cieca’s spies tell her that the New York City Opera plans an extremely ambitious season for 2011-2012, with vast expansions of repertory and number of performances.
La Cieca has heard that, not to be outdone by Peter Gelb‘s discovery of hot young directors like Luc Bondy and Patrice Chéreau, NYCO’s George Steel is boldly leaping forward into the 20th century by signing up Peter Sellars for a series of productions. In other music news, everyone down at Danceteria is just wild…
When invited to participate in a discourse on artistic standards (hello, internet!), it’s easy — pleasurable, even — for an aesthete to bray about “the fall.” Where are the true heldentenors? Your kingdom for a Callas! (Or a Stratas, or a Rysanek!) And might the public, at long last, deserve a stable of directors who…
New York City Opera has announced its 2010-2011 season, and it looks like La Cieca’s precognitions were about 90% correct. (Please, hold your applause.)
The maniacal laughter of incorrigible NYCO nemesis Manuela Hoelterhoff continues to echo through the halls of Castle Bloomberg this morning, as yet another of the executive editor’s gang of henchscribes gloats over yesterday’s announcement of a curtailed season at the company that dared to snub Francesca Zambello. Poor paltry fools!
“There are thousands of papers, stretching back over hundreds of years, affecting Belle Reve as, piece by piece, our improvident grandfathers and father and uncles and brothers exchanged the land for their epic fornications — to put it plainly! The four-letter word deprived us of our plantation, till finally all that was left — and…
Squirrel was expecting boobs! People, there were no boobs, and for that, I was a little disappointed.
Doubling down on its artistic mission, New York City Opera begins a tenuous season with a turgid Bible drama.
According to the always reliable Zachary Woolfe, among the beans spilled at the NYCO “Koch” Gala last night was the strong suggestion (from no less than Rufus Wainwright himself) that a production of Prima Donna is planned for an upcoming George Steel-planned season. [New York Observer]
In the year and half that New York City Opera has been absent from the musical milieu of our metropolis, Tony Tommasini has been sadly deprived of one of his favorite topics of conversation.
Is there no end to the talents of George Steel? Boy soprano, Bernstein protégé, conductor, impresario, endive fancier — and now matchmaker!
Whenever La Cieca (center) feels afraid, she doesn’t just hold her head erect or whistle a happy tune (though she’s been known to do both on occasion), she reminds herself, “You know, things could be a lot worse than what they are!”
Well, all La Cieca can think is that the New York City Opera has just plain decided to win your doyenne over, because otherwise how can you explain why the company would present an art installation that combines her two very favorite things in the entire universe, i.e., couture and explosions?
George Steel manages to hold out for 140 words before dropping the inevitable name in this month’s issue of Edible Manhattan. The Man of Steel continues: The places that are famous tend not to be good. People are looking for an experience of authenticity and not really using their mouth. La Cieca should note that…
La Cieca is delighted to learn that “the New York City Opera and the American Guild of Musical Artists, AFL-CIO, have reached agreement on a new collective bargaining contract, helping to ensure City Opera’s continuing place in the forefront of American opera,” according to a press release from the NYCO. Since Alan Gordon and George…
George Steel recently gave Anthony Tommasini a sneak peak at his bulging Koch Theater. The Times scribe, “dodging sparks from welders and ducking under hanging cables” soon realized that the “boyish” intendant is just like President Obama, sort of. [NYT]
La Cieca is dubious about the effectiveness of City Opera’s new advertising campaign.
Casting is announced for the New York City Opera’s 2009-10 season. It’s all on their website, but here are a few highlights: The “American Voices” concert features “a roster of stars including Joyce Castle, Anna Christy, Joyce DiDonato, Lauren Flanigan, Anthony Dean Griffey, and Samuel Ramey, all of whom appeared [note the past tense] at…
Don’t expect much in the way of art at NYCO for the next few seasons, but, on the bright side, George Steel probably has sufficient water-treading skills to avoid drowning. [NYT]
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