Cher Public

Third bass-baritone

Next Marko Mimica discussed which music “reached” him most and how he regards expressing himself in various languages.  Read more »

Bass-baritone instinct

Next, I asked Marko Mimica which basses he prefers to listen to on recordings. (Then I just sat back and listened!) Read more »

All about that bass-baritone

Marko Mimica

In Bellini’s opera Norma, the “padre” role of Oroveso, it may be safely said, is “undistinguished”—dull and conventional. The bass entrusted with the role usually will engender two reactions: more frequently than not, “Cut this boring music,” and rather more rarely: “What a pity Oroveso doesn’t have more music.”    Read more »

Talking to John Raitt, Part One

I first heard the voice of John Raitt in 1973, when I was all of 10 years old. Never in my wildest dreams did I imagine, that 28 years later, I would be having lengthy telephone conversations with him! Read more »

The Raitt stuff

Never in my wildest dreams did I imagine I would be having lengthy telephone conversations with John Raitt. 

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Dearly beloved

Mezzo Rinat Shaham takes a short break from being the world’s busiest Carmen and rehearsing for the theatrical concert “The Sorrows of Young Werther” to dish with your doyenne.

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Return of the king

Fifteen years after his first parterre box interview, that criterion of countertenors David Daniels speaks of Oscar Wilde, Marilyn Horne, marriage and political art.

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Her maestro’s voice

Our Own Poison Ivy interviews conductor Alain Altinoglu over at her own blog, Poison Ivy’s Wall of Text.

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