Ilana Walder-Biesanz discovers how Houston Grand Opera is celebrating 250 years of America and 100 years of Carlisle Floyd with a new production of Of Mice and Men.
Breaking the Waves and Tannhaüser at Houston Grand Opera are a can’t-miss doubleheader of sex and miracles.
Hoping to speed up the arrival of spring, parterre box coaxes you to Michael Spyres‘s blazing pira with an in-house sampling of his Manrico from last fall’s Il trovatore in Houston.
For the opening night of Il Trovatore, Houston Grand Opera’s new production aimed high, bringing together a star-studded cast and a fresh, contemporary take on Verdi’s intense drama.
Dame Ethel Smyth’s third opera, The Wreckers, opened at Houston Grand Opera on October 28 and runs through November 11.
Mozart appears to find promiscuity a source of humor rather than something that is a fundamental problem.
All about the life of Lorenzo Da Ponte, but depicted as an opera performed as a dress rehearsal for an opera.
Looking at the Houston Grand Opera’s 2018/19 season, I think Hurricane Harvey subconsciously must have had an impact on the choice of operas.
“It’s in the ‘Behind the Scenes’ section of the Lady Gaga issue, involving Brian Mitchell, archivist and occasional child wrangler with the Houston Grand Opera.”
“Likewise Susan Bullock and Nicholas Phan—leading exponents of Wagner and Britten respectively…”
Houston Grand Opera’s Brit-in-Chief Anthony Freud will take an early departure of his post (recently extended to 2015) to move into the power vacuum created by the departure of William Mason from Lyric Opera of Chicago in 2012, says Culturemap Houston.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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