Ms. Damrau unleashed a Blitzkrieg of charm upon her audience.
Diana Damrau and Joseph Calleja presented an uneven program in a lavish setting this weekend in the most recent entry in the Met’s concert series.
It’s that time of year again, cher public: the 47th 15th annual announcement of the recipients of the F. Paul Driscoll Awards for Outstanding Achievement in the Field of Excellence!
At last weekend’s Opus Klassik Awards, Diana Damrau sings ABBA (with Juan Diego Flòrez among the backup artists.)
La Cieca is almost certain that Diana Damrau will not appear at the Met this fall for La traviata.
Diana Damrau has chosen for her new Erato recital disc Grand Opera 11 high-flying showpieces from ten operas by Giacomo Meyerbeer.
We leave behind the Vienna of the 1740s, the time of breeches, fans and white wigs.
“Pretty Yende will sing the role of Elvira in tomorrow evening’s performance of Bellini’s I Puritani, replacing Diana Damrau, who is ill.”
Now we have considered the three “winners” in the Tristan competition, let’s turn to the also-rans, or, to be more optimistic, the runners up.
The first “La Casa della Cieca” chat of the 2016-2017 season features Diana Damrau.
Returning after 99 years for the Met’s annual New Year’s Eve gala, Bizet’s youthful exercise in Orientalia Les Pêcheurs de Perles proved a real crowd-pleaser.
“Hailed ‘the Meryl Streep of opera’…” begins one sentence of a promotional piece for a Diana Damrau recording of another opera, reproduced on the soprano’s website.
The breaking news from San Francisco Opera is that Nadine Sierra will sing the title role of in a new production of Lucia di Lammermoor, replacing Diana Damrau, who will not.
La Cieca is sure that Meyerbeer fanatics will be delighted to hear that the Royal Opera House Covent Garden is preparing a new staging of Les Huguenots.
“’They’re young… they’re in love… and they kill people’ goes the tagline for the 1968 film Bonnie and Clyde, but the slogan could apply almost as well to the outlaw pair at the center of the Metropolitan Opera’s white-hot revival of Massenet’s Manon.”
Our Own JJ‘s take on the Massenet will not appear until next week, but for now you are invited to make do with Zachary Woolfe‘s rave in the New York Times.