Pretty poison
The wicked poisoner showed herself in fine form, full of purple passion and lusty music-making that would gladden the heart of any bel canto enthusiast or opera lover in general.
New York
Crazy extremes
Simon McBurney’s Die Zauberflöte, the second new production of the Met’s May Mozart Miracle, opened on Friday to rousing near-unanimous cheers.
Nervous system theater
Like a sommelier of male entitlement, Peter Mattei paired with precision moves from a wide-ranging vocabulary of gesture.
“Nothing is wrong that great singing won’t cure”
On this day in 1946 the Metropolitan Opera presented La Gioconda on tour in Chicago.
I’ll remember April
If April is the cruelest month, it may be that spring’s arrival brings far too many things to do and see.
A farewell to Frisell
Old opera productions at the end of their performing life can be sad affairs.
Coronations and other occasions
While Charles III’s coronation (with Harry but without Meghan and Fergie) commences in London on Saturday, the party started early last month at Carnegie Hall when the Orchestra of St. Luke’s joined by La Chappelle de Québec performed Handel’s gloriously celebratory Coronation Anthems which were composed for a 1727 crowning.
Artists with enough ‘oomph’?
At all of these vocal contests, including this one, I find myself fascinated and perplexed by the same question: What exactly are the judges looking for?
“Tsk, tsk Valentina!”
On this day in 1944, the Metropolitan Opera, on tour in Chicago, presented Tosca.
Mozart for another time
Eagerly awaiting Met May Mozart Madness, Chris’s Cache presents a starry quintet of the master’s operas not being done next month.
A winner and new ‘Champion’
To paraphrase Terence Blanchard’s Champion, what makes an opera an opera?
A dazzling range of colors
I wish more sopranos programmed recitals like Fatma Said does.
I shall be released
Welcome, beloveds, to the Jessye Norman Memorial Museum. I’ll be the docent for your tour today.
One grand, fluid line
On this day in 1975 soprano Magda Olivero made her Metropolitan Opera debut as Tosca.
Slow simmer
This was by far my most satisfying experience with Pelléas et Mélisande for a multitude of reasons and I encourage anyone who’s even mildly curious to find their way to the Music Center for a very rich experience.
A hole new world
Here’s an update for those keeping up with the Lohengrin casting sweepstakes at the Met.
Somewhere in time
The current Met revival of Der Rosenkavalier, while not perfect, has much to feel joyful and excited about.
A step backwards into conventionality
On this day in 1981 the Metropolitan Opera telecast its new and unremarkable production of La traviata.
I’ll plant my own tree
Richard Strauss’ “Bucolic Tragedy in One Act” Daphne is one of his most beautiful and most frustrating works.
Mounting dread
On this day in 1992 the Metropolitan Opera presented a [disastrous] new production of Elektra.
Diva moment
Angela Meade, reportedly flown in at the very last minute to take on the role of Norma, absolutely triumphed, pulling out all the stops to deliver a commanding performance that should, indeed, go down in history.
Someday she’ll come along, the girl I love
In Richard Strauss’s Arabella, the heroine is consumed with finding the right man—der Richtige—but who is the right Arabella?
Happy, happy solo woman
There’s nothing unusual about casting a woman in Solomon‘s titular role.
Radically giddy
Verdi’s Falstaff is a brilliantly written opera: funny, with a complex ability to operate across minutely shifting registers of farce and lyricism. It needs, ideally, a production and cast capable of executing both comedy and drama, irony and sincerity—often concurrently. In its current Met revival, happily, Falstaff has everything it needs.
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).